1925 in film

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This is an overview of 1925 in film, including significant events, a list of films released and notable births and deaths.

Top-grossing films (U.S.)

The top ten 1925 released films by box office gross in North America are as follows:

Highest-grossing films of 1925
Rank Title Distributor Domestic rentals
1 The Big Parade MGM $4,990,000
2 Ben-Hur: A Tale of the Christ $4,359,000
3 The Freshman Pathé Exchange $2,600,000
4 The Gold Rush United Artists $2,500,000
5 The Phantom of the Opera Universal $1,550,000
6 Don Q, Son of Zorro
Stella Dallas
United Artists $1,500,000
7 The Lost World First National $1,300,000
8 East Lynne Fox Film $1,100,000
9 The Merry Widow MGM $1,081,000
10 The Golden Bed Paramount $816,487

Events

Notable films released in 1925

For the complete list of US film releases for the year, see United States films of 1925

A

B

C

D

E

F

G

H

I

J

K

L

M

O

P

R

S

T

U

V

W

Z

Comedy film series

Animated short film series

Births

Deaths

Film debuts

References

  1. ^ a b c The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
  2. ^ a b c d e Finler, Joel Waldo (2003). The Hollywood Story. Wallflower Press. pp. 356–357. ISBN 978-1-903364-66-6.
  3. ^ "All-Time Film Rental Champs". Variety. October 15, 1990. p. M154.
  4. ^ Krämer, Peter (2019). The General. Bloomsbury. ISBN 978-1-8387-1889-3. In addition, the strongly comedy-inflected, spectacular adventure films starring Fairbanks, who was known for his onscreen acrobatics (as well as his infectious smile), ranked highly in the annual charts – The Thief of Bagdad at no. 3 in 1924, Don Q, Son of Zorro at no. 4 in 1925 and The Black Pirate at no. 4 in 1926 – with domestic rentals of between $1.5 million and $1.7 million.
  5. ^ Birchard, Robert S. (2004). Cecil B. DeMille's Hollywood. University Press of Kentucky. ISBN 9780813123240.
  6. ^ The Ten Best Pictures of 1925. Retrieved April 28, 2018. {{cite book}}: |work= ignored (help)
  7. ^ Hall, Sheldon; Neale, Stephen (2010). Epics, spectacles, and blockbusters: a Hollywood history. Wayne State University Press. p. 163. ISBN 978-0-8143-3008-1.
  8. ^ Ye, Tan; Zhu, Yun (2012). Historical Dictionary of Chinese Cinema. Rowman & Littlefield. p. 76. ISBN 978-0-8108-6779-6.
  9. ^ a b Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. Pg. 283. ISBN 978-1936168-68-2.
  10. ^ a b Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. Pg. 284. ISBN 978-1936168-68-2.
  11. ^ Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. Pg. 288. ISBN 978-1936168-68-2.
  12. ^ "Miracles of Love (1925)". imdb.com.
  13. ^ Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. Pg. 289. ISBN 978-1936168-68-2.
  14. ^ Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. Pg. 279. ISBN 978-1936168-68-2.
  15. ^ Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. Pg. 292. ISBN 978-1936168-68-2.
  16. ^ Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. Pg. 293. ISBN 978-1936168-68-2.
  17. ^ a b Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. Pg. 294. ISBN 978-1936168-68-2.
  18. ^ Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. Pg. 295. ISBN 978-1936168-68-2.
  19. ^ Yorke, Peter (2007). William Haggar (1851-1925): fairground film-maker. Bedlinog: Accent Press. p. 114. ISBN 978-1-905170-87-6. Archived from the original on 2021-09-12. Retrieved 2021-09-12.

Sources

External links