In the following article, we will explore in detail Bird at St. Nick's, a relevant topic that has captured the attention of experts and the general public. Over the years, Bird at St. Nick's has been the subject of debate, study and analysis, generating endless research and conflicting opinions. Its importance and impact on modern society make it a topic worthy of exploration and reflection. Through this article, we will seek to further understand what Bird at St. Nick's is, what its implications are and how it can influence various aspects of our daily lives.
Bird at St. Nick's | ||||
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Live album by | ||||
Released | 1958[1] | |||
Recorded | 1950 | |||
Genre | Jazz | |||
Length | 41:40 | |||
Label | Jazz Workshop
JWS–500 | |||
Charlie Parker chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Disc | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz Recordings | ![]() ![]() ![]() ![]() |
Bird at St. Nick's was a live tape recording by Charlie Parker taken from a February 1950 performance at St. Nicholas Arena.[2][5] The recording was made on non-professional equipment by Jimmy Knepper, a fan of Parker. As with his recording released as Bird on 52nd St., Knepper focused mainly on recording Parker's solos to conserve audiotape. The album was the first release on Charles Mingus' Jazz Workshop label.[6]