In this article, we will explore the topic of Clara Sherman and delve into its importance in various contexts. Clara Sherman has been the subject of interest and debate over time, and its influence has been seen in different areas, from popular culture to science and politics. Throughout history, Clara Sherman has played a significant role in society, and its relevance is still evident today. Through this article, we will look at the many facets of Clara Sherman, its impact on our lives, and how it has evolved over the years.
Clara Sherman | |
---|---|
Born | Nezbah Gould February 18, 1914 Near the Toadlena-Newcomb area |
Died | July 31, 2010 | (aged 96)
Nationality | American Navajo |
Known for | Weaving |
Movement | Navajo rugs |
Awards | Lifetime Achievement Award, Southwestern Association for Indian Arts, August, 2004; New Mexico Governor's Award for Excellence in the Arts, 2006 |
Clara Nezbah Sherman (February 18, 1914 – July 31, 2010)[1][2] was a Navajo artist particularly known for her Navajo rugs. Born Nezbah Gould, her mother was of the Hashtłʼishnii clan, and her father was of the Naashashí Dineʼé. She was the last surviving member of ten siblings including an adopted sister. Sherman and her siblings learned to weave as children from her family, who specialized in the craft.[3] Clara had several children with her husband, John Sherman. Her daughters and granddaughters also learned to weave.[4]
She played the harmonica, and could "keep a melody and bass line going at the same time."[5]
In 2006, she was awarded the Governor's Award for Excellence in the Arts by the governor of New Mexico in association with the National Endowment for the Arts. She is one of the artists whose work is available at the historic Toadlena Trading Post on New Mexico Arts' Fiber Arts Trail.[5]