In human history, Connie Kay has played a crucial role in the development of society. Since its emergence, Connie Kay has captured the attention and interest of millions of people around the world. This phenomenon has left an indelible mark on culture, politics, technology and all aspects of modern life. In this article, we will explore the influence of Connie Kay over time and analyze its impact on the world today. From its origins to its current relevance, Connie Kay continues to be a topic of debate and fascination for scholars, experts, and enthusiasts alike.
Connie Kay | |
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![]() Kay in 1961 | |
Background information | |
Birth name | Conrad Henry Kirnon |
Born | Tuckahoe, New York, U.S. | April 27, 1927
Died | November 30, 1994 New York City, U.S. | (aged 67)
Genres | Jazz |
Occupation | Musician |
Instrument | Drums |
Years active | 1940s–1990s |
Formerly of | The Modern Jazz Quartet |
Conrad Henry Kirnon (April 27, 1927 – November 30, 1994) known professionally as Connie Kay, was an American jazz and R&B drummer,[1] who was a member of the Modern Jazz Quartet.[2]
Self-taught on drums, Kay began performing in Los Angeles in the mid-1940s. His drumming is recorded in The Hunt, the recording of a famous Los Angeles jam session featuring the dueling tenors of Dexter Gordon and Wardell Gray on July 6, 1947. He recorded with Lester Young's quintet from 1949 to 1955 and with Stan Getz, Coleman Hawkins, Charlie Parker, and Miles Davis.
Kay did R&B sessions for Atlantic Records in the early to mid-1950s, and he was featured on hit records such as "Shake, Rattle and Roll" by Big Joe Turner and Ruth Brown's "(Mama) He Treats Your Daughter Mean".[3]
Kay joined the Modern Jazz Quartet in 1955, replacing original drummer Kenny Clarke.[1] He remained through the group's dissolution in 1974 and occasional reunions into the 1990s. In addition to his MJQ compatriots, he had an enduring partnership with cool jazz altoist Paul Desmond through the first half of the 1960s. He played drums on several of Irish singer-songwriter Van Morrison's albums: Astral Weeks,[1] one song on Saint Dominic's Preview, and four songs on Tupelo Honey.[4]
Kay was known for incorporating percussion instruments alongside his drum kit, such as timpani, small cymbals, triangle, bell tree, and darbukas, the latter referred to as "exotic-looking" drums in a 2006 article.[5][6]
In 1989, Kay received an honorary doctorate of music from Berklee College of Music.[7]
Kay had a stroke in 1992, but recovered enough to resume performing. He died of cardiac arrest in Manhattan in 1994 at the age of 67.[6][8] He also played with Benny Goodman' Orchestra at the Carnegie Hall 40th. Anniversary Concert on January 17, 1978. Kay never recorded as a session leader.
With Cannonball Adderley
With Chet Baker
With Ruth Brown
With Miles Davis
With Paul Desmond
With Bill Evans & Bob Brookmeyer
With Dexter Gordon and Wardell Gray
With Coleman Hawkins
With Jimmy Heath
With Scott Hamilton
With Milt Jackson
With John Lewis
With Jay McShann
With James Moody
With Van Morrison
With Joe Newman
With Sonny Rollins
With Michel Sardaby
With Lucky Thompson
With Bobby Timmons
With Randy Weston