Nowadays, Der Karneval in Rom is a topic that has taken on great relevance in society. Whether due to its impact on the economy, technology, culture or politics, Der Karneval in Rom has become a key piece in the current dynamic. Its influence is noticeable in all areas, generating debates, controversies, advances and significant changes. This is why it is necessary to analyze in depth all aspects related to Der Karneval in Rom, to understand its scope and implications in the modern world. Therefore, in this article we will delve into the study of Der Karneval in Rom, exploring its different facets and its impact on today's society.
Der Karneval in Rom (The Carnival in Rome) —also known as Karneval in Rom— is an operetta in three acts composed by Johann Strauss II to a libretto by Josef Braun, Richard Genée and Maximilian Steiner. It was Strauss' second operetta and based on Victorien Sardou's 1861 comedy Piccolino.[1] The work premiered on 1 March 1873 at the Theater an der Wien.[2]
Role | Voice type | Premiere cast, 1 March 1873 (Conductor: Johann Strauss II) |
---|---|---|
Marie, a girl from the country | soprano | Marie Geistinger |
Arthur Bryk, a painter | tenor | Albin Swoboda, Sr. |
Count Falconi | baritone | Carl Adolf Friese |
Countess Falconi | soprano | Caroline Charles-Hirsch |
Robert Hesse, a painter and Arthur's friend | baritone | Alfred Schreiber |
Benvenuto Rafaeli, a painter and Arthur's friend | tenor | Jani Szika |
Donna Sofronia, head of a ladies school | contralto | |
Therese, a young bride | soprano | Mme Charles-Rothier |
Franz, a young groom | tenor | |
Toni | tenor | |
Sepp | tenor | |
Martin | tenor |
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