Nowadays, Four (composition) is a topic that has captured the attention of society in general. With its impact on different aspects of daily life, it is no wonder that people are interested in learning more about Four (composition) and all its implications. Four (composition) has generated debates and discussions in various areas, from politics to science, including culture and technology. In this article, we will thoroughly explore all facets of Four (composition), to understand its importance and how it is shaping the world we live in.
"Four" | |
---|---|
Composition by Miles Davis | |
from the album Blue Haze | |
Released | 1954 |
Recorded | March 15 and April 3, 1954 |
Genre | Jazz |
Length | 4:03[1][better source needed] |
Label | Prestige |
Composer(s) | Miles Davis |
Producer(s) | Bob Weinstock, Ira Gitler |
"Four" is a 1954 jazz standard. It was first recorded and arranged in 1954 by jazz trumpeter Miles Davis and released on his album Miles Davis Quartet.[2] It is a 32-bar ABAC form.[3]
The song composition officially credits Davis[4] as the writer. However, there is some controversy that it may have actually been composed by someone and purchased by Davis. The American jazz saxophonist Eddie "Cleanhead" Vinson has claimed ownership for the song.[5]
The following artists have covered this composition.
Lambert, Hendricks & Ross use Davis's solo on their 1958 album "The Swingers" which caused some conflict between Hendricks and Davis.[8]