In today's world, From Newport to the Ancient Empty Street in L.A. has become a relevant topic that generates debates and controversies in different areas. From the political to the cultural sphere, From Newport to the Ancient Empty Street in L.A. has captured the attention of various social actors, who have expressed conflicting opinions on the matter. In this situation, it is essential to thoroughly analyze the implications and consequences of From Newport to the Ancient Empty Street in L.A., as well as reflect on the possible solutions and alternatives that may be proposed. In this article, we will explore in detail the importance of From Newport to the Ancient Empty Street in L.A. and its impact on today's society, with the aim of encouraging constructive debate and the exchange of ideas.
From Newport to the Ancient Empty Street in L.A | |
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Live album (bootleg) by | |
Released | 1998 |
Recorded | 1964–1965 |
Genre | |
Length | 68:29 |
Label | Dandelion |
From Newport to the Ancient Empty Street in L.A is a bootleg recording of live performances by Bob Dylan. It contains recordings of Dylan performing at the Newport Folk Festival in July 1964 and July 1965. There are also recordings of Dylan performing at the Hollywood Bowl in September 1965. The album contains one performance omitted from the film The Other Side of the Mirror which records Dylan's Newport performances: a live version of "It Takes a Lot to Laugh, It Takes a Train to Cry" from July 1965.
The bootleg consists of 24 songs on two discs. The first disc contains 12 songs. Tracks 1–4 were recorded at the Newport Folk Festival on July 26, 1964. Tracks 5–8 were recorded July 25, 1965, at the same venue. Tracks 9–12 were recorded at the Hollywood Bowl on September 3, 1965. Additional songs from the same date and venue make up the first eleven tracks of the second disc. The first three songs are acoustic, while tracks 4–11 featured Dylan's electric set with The Hawks. The final song on disc two is an alternate studio version of "Tombstone Blues".[1]
Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Jason Ankeny of Allmusic called the bootleg "a near-definitive edition of this essential material, docked points solely for the curious omission of 'It Ain't Me Babe' from the 1964 Newport performance." Ankeny also wrote: "While lacking the primal force of his subsequent electric tour with the Hawks, the performance is nevertheless excellent, capturing the complexity and potency of songs like 'Tombstone Blues', 'Maggie's Farm' and 'Like a Rolling Stone' in full."[2]
Disc one
Disc two