Today, Greek (play) is a topic of great relevance and interest to a wide spectrum of the public. With the advancement of technology and globalization, Greek (play) has become an increasingly present topic in our lives, whether on a personal, professional or social level. Opinions on Greek (play) are varied and debated, making its study and understanding essential to understanding the world we live in. In this article, we will explore different perspectives on Greek (play), analyzing its impact, evolution and relevance in different contexts.
Greek | |
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![]() Poster advertising the 1988 production of Greek at the Wyndham's Theatre. | |
Written by | Steven Berkoff |
Based on | Oedipus Rex by Sophocles |
Date premiered | 11 February 1980 |
Place premiered | Half Moon Theatre, London |
Original language | English |
Genre | Verse drama |
Setting | London's East End |
Greek is a verse play by Steven Berkoff. It was first performed at The Half Moon Theatre, London on 11 February 1980. It is a retelling of Sophocles' Oedipus Rex. Berkoff wrote:
"Greek came to me via Sophocles, trickling its way down the millennia until it reached the unimaginable wastelands of Tufnell Park ... In my eyes, Britain seemed to have become a gradually decaying island, preyed upon by the wandering hordes who saw no future for themselves in a society which had few ideals or messages to offer them."[1]
World premiere[2]
11 February 1980 at the Half Moon Theatre, London.
Directed by Steven Berkoff.
The production transferred in September 1980 to the Arts Theatre Club, with Deirdre Morris replacing Janet Amsden.
1988 London revival[2]
29 June 1988 at the Wyndham's Theatre, London.
Directed by Steven Berkoff.
The play was used as the basis for a well-received opera of the same name composed by Mark-Anthony Turnage and first performed in 1988.[3]