In this article we are going to delve into the topic of Guernica (1950 film), which has generated great interest in today's society. Throughout history, Guernica (1950 film) has played a crucial role in various areas, both personally and professionally. From its origins to the present, Guernica (1950 film) has been the object of study, debate and controversy, giving rise to conflicting opinions and diverse perspectives. In this article, we will explore the different facets of Guernica (1950 film), analyzing its impact in different contexts and offering insights that allow us to better understand its relevance in the contemporary world.
Guernica | |
---|---|
Directed by | Alain Resnais Robert Hessens |
Written by | Paul Eluard |
Produced by | Pierre Braunberger |
Starring | María Casares (narrator) Jacques Pruvost (narrator) |
Cinematography | Henri Ferrand |
Music by | Guy Bernard |
Production company | Pantheon Productions |
Distributed by | Les Films de la Pleiade |
Release date |
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Running time | 13 minutes |
Country | France |
Language | French |
Guernica is a 1950 French short film directed by Alain Resnais and Robert Hessens.[1]
After a brief voice-over by Jacques Pruvost describing the bombing of Guernica on 26 April 1937, María Casares recites a poem by Paul Eluard on the subject of that atrocity, accompanied by imagery from numerous paintings, drawings, and sculptures produced by Pablo Picasso between 1920 and 1949, particularly Guernica (1937). The oppressive musical arrangements in the film were composed by Guy Bernard.
The short film is available as a special feature on the DVD edition of The Mystery of Picasso, Henri-Georges Clouzot's 1956 documentary about Picasso.