The name Illicit (album) can evoke different emotions, memories or meanings for each person. From ancient times to the present, Illicit (album) has been the subject of interest, debate and reflection in various areas of life. Its importance transcends borders and eras, and its influence has been felt in culture, science, politics and human relations. In this article, we will deeply explore the meaning and relevance of Illicit (album), analyzing its impact on the current world and its projection into the future.
Illicit | ||||
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Studio album by | ||||
Released | 4 August 1992 [1] | |||
Recorded | April 1992 at Cherokee Studios, Hollywood, CA; USA.[2] | |||
Genre | Jazz fusion | |||
Length | 63:41 | |||
Label | Bluemoon Recordings, Mesa Records | |||
Producer | Scott Henderson, Gary Willis | |||
Tribal Tech chronology | ||||
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Allmusic | ![]() ![]() ![]() ![]() ![]() |
Illicit is an album by the fusion jazz band Tribal Tech released in 1992.[3] The album was recorded during the L.A. Riots in April 1992 at Cherokee Studios, Hollywood, California.[1][2]
(Gubbio, Italy, March 1993)[4] Scott Henderson, during the child-like intro of "The Big Wave":
"This is a tune that Willis wrote, it's..uhh...kinda about the situation in Los Angeles as far as the music scene, has anybody ever been there? Los Angeles people? You're not missing anything believe me.. All the jazz there sounds exactly like this. It's very happy and pleasant....So we hate it! So we're gonna play a tune dedicated to the situation and the Los Angeles jazz scene."