This article will address the topic of Jean Louis, which has gained relevance in recent years due to its impact on different aspects of society. Different perspectives related to Jean Louis will be explored, from its origins to its influence today. The importance of understanding and analyzing Jean Louis will be examined to better understand its significance in today's world. In addition, the challenges and opportunities that Jean Louis presents will be discussed, as well as the possible solutions that arise to address the challenges it represents. In short, this article seeks to offer a broad and enriching vision of Jean Louis, with the aim of encouraging reflection and debate around this topic.
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Jean Louis | |
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![]() Jean Louis in 1973 | |
Born | Jean Louis Berthault October 5, 1907 Paris, France |
Died | April 8, 1997 Palm Springs, California, U.S. | (aged 89)
Occupation | Costume designer |
Spouses | Marcelle M. Martin
(m. 1954; died 1955)Margaret Fisher
(m. 1955; died 1989) |
Jean Louis (born Jean Louis Berthault; October 5, 1907 – April 8, 1997) was a French-American costume designer. He won an Academy Award for The Solid Gold Cadillac (1956).
Before coming to Hollywood, he worked in New York for fashion entrepreneur Hattie Carnegie, where the clientele included Joan Cohn, the wife of Columbia Pictures studio chief Harry Cohn.[1][2]
He worked as head designer for Columbia Pictures from 1944 to 1960. His most famous works include Rita Hayworth's black satin strapless dress from Gilda (1946), Marlene Dietrich's celebrated beaded souffle stagewear for her cabaret world tours, as well as the sheer, sparkling gown that Marilyn Monroe wore when she sang "Happy Birthday, Mr. President" to John F. Kennedy in 1962.[3]
The dress was so tight that he is believed to have actually sewn it while Monroe was wearing it. The idea of a dress being a nude color, with crystals coating it, stunned audiences. It gave the illusion that Monroe was nude, except for discretely placed rhinestones covering her head to toe.[citation needed]
Louis had originally designed a version of the dress for Marlene Dietrich, who wore it in her concert shows. An impressed Monroe asked Dietrich about it, who told her how the dress's illusion worked, and sent her to Louis to design a similar dress for her Kennedy appearance. While Dietrich had been seen wearing her version before Monroe, the press coverage surrounding Monroe's appearance at Madison Square Garden in her style of gown swept the globe. This robe became—besides the white one from "The Seven Year Itch"—Marilyn Monroe's most famous robe, selling at auction in 2016 for 4.8 million dollars.[4]
In 1993, four years after the death of his second wife, Louis married former client Loretta Young; they remained married until his death in 1997.[2] He had designed Young's wardrobe for her TV program The Loretta Young Show (1953–61), an anthology show noted for Young's show-opening and closing scenes that had viewers tuning in especially to view her high-fashion outfit for that week. Young was known as the best-dressed actress in America at that time.[1][5]
For over forty years, Louis designed clothes for almost every star in Hollywood. Around sixty of his designs appeared in movies, and he was eventually nominated for 13 Academy Awards. Some of his clients included Ginger Rogers, Irene Dunne, Lana Turner, Vivien Leigh, Joan Crawford, Julie Andrews, Katharine Hepburn, and Judy Garland. Some of his film credits included, A Star Is Born, Ship of Fools, From Here to Eternity, Thoroughly Modern Millie, and he won an Oscar for his designs in The Solid Gold Cadillac in 1956.[5]
In 1937, a year after Louis immigrated to the United States, he designed the Carnegie suit, a suit that became an icon in the fashion world. The Carnegie suit was one of the first fashions to become very well-liked as an American name design, and its fitted blazer and long pencil skirt was worn by several actresses and society women at the time.[2]
The Duchess of Windsor became one of his most famous clients, as well as the First Lady Nancy Reagan in the 1980s.[2]