_ In today's world, Jehanne d'Alcy plays a fundamental role in our society. Its importance covers a wide range of aspects, from the personal sphere to the professional sphere, including the social and cultural sphere. Increasingly, Jehanne d'Alcy has become a topic of interest and debate in various circles, as its influence extends to many areas of our lives. In this article, we will thoroughly explore the impact and relevance of Jehanne d'Alcy, analyzing its different facets and its connection with aspects as diverse as technology, politics, economics, psychology and culture. Through this exploration, we will be able to better understand the importance and influence that Jehanne d'Alcy has in our world today.
Jehanne d'Alcy | |
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Born | Charlotte Lucie Marie Adèle Stephanie Adrienne Faës 20 March 1865 Vaujours, Seine-et-Oise, France |
Died | 14 October 1956 Versailles, France | (aged 91)
Occupation | Actress |
Years active | 1890–1956 |
Spouse |
Charlotte Lucie Marie Adèle Stephanie Adrienne Faës (20 March 1865 – 14 October 1956), known by her stage name Jeanne d'Alcy or Jehanne d'Alcy, was a French film actress. She is best known as being the mistress and eventual wife of French cinema pioneer, filmmaker and inventor Georges Méliès.
D'Alcy had achieved success in theatrical productions by 1896, but left the stage to devote herself to film, becoming one of the first performers to do so.[1]
Born in Vaujours, Seine-Saint-Denis, she appeared in Le Manoir du diable (1896), Jeanne d'Arc (1900) and Le Voyage dans la lune (1902).[2] She was portrayed by actress Helen McCrory in Martin Scorsese's 2011 film Hugo.[3]
She was the wife of Georges Méliès from 1925 until his death in 1938. D'Alcy died at the age of 91 in 1956. She is buried with her husband in the Père-Lachaise cemetery.