In this article we will explore the topic of Jeremy Spenser from a multidisciplinary perspective, addressing its historical, social and cultural implications. _Var1 is a topic that has aroused the interest of researchers and experts in various fields, and its relevance is evident in the contemporary context. Throughout the article, we will examine different approaches and theories related to Jeremy Spenser, as well as its impact on today's society. Through detailed analysis, we aim to offer a comprehensive view of Jeremy Spenser, exposing its lesser-known facets and highlighting its importance in the current landscape.
Jeremy Spenser | |
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Born | London, England, United Kingdom | 16 July 1937
Other names | Jeremy John Dornhurst de Saram [citation needed] |
Occupation | Film actor |
Years active | 1948–1967 |
Relatives | David Spenser (brother) |
Jeremy Spenser (born Jeremy John Dornhurst de Saram;[citation needed] 16 July 1937) is a British actor who is widely known for his work in film and television from the late 1940s to the mid 1960s. He made his screen debut aged 11 in Anna Karenina (1948).[1][2][3][4]
The following year he played in the black comedy Kind Hearts and Coronets as the young Louis Mazzini. He played the young King Nicolas in The Prince and the Showgirl with Laurence Olivier and Marilyn Monroe and in Ferry to Hong Kong with Orson Welles.
In the 1960s, the role offers began to slow down. His last film role was in 1966's Fahrenheit 451 directed by François Truffaut, after which Spenser retired from acting.[5]
Some of his notable film credits include Term of Trial (1962), and The Informers (1963).
Jeremy Spenser is the brother of British actor, director, producer and writer David Spenser.[6]