In this article, we will explore K-ballet, a topic that has captured the interest and attention of many in recent times. With a wide range of implications and applications, K-ballet is a topic that covers areas as diverse as science, technology, politics, culture and society in general. As we progress through the analysis of K-ballet, we will delve into its meaning, impact and relevance in today's world, and examine the various perspectives that exist around this topic. From its origins to its contemporary evolution, K-ballet continues to be the subject of debate and reflection, and this article seeks to shed light on its many facets and its importance in the current landscape.
K-Ballet | |
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General information | |
Name | K-Ballet |
Local name | K-バレエカンパニー |
Year founded | 1999 |
Founders | Tetsuya Kumakawa Michael Nunn |
Website | http://k-ballet.co.jp |
Artistic staff | |
Artistic Director | Tetsuya Kumakawa |
Deputy Director | Stuart Cassidy |
Ballet Mistress | Shiori Asakawa, Ran Yamada |
Ballet Master | Hayato Nishino, Rei Sakoh |
Other | |
Orchestra | Theatre Orchestra of Tokyo |
Official school | K-Ballet School |
K-ballet is a Japanese ballet company. The company started in 1999, and has since held approximately 50 annual performances.
K-Ballet's activity was first recognised internationally in July 2004, when the ballet group was invited to New York's Metropolitan Opera House with The Royal Ballet, one of the World's leading ballet companies.[1] The honorary president is currently renowned ballet dancer, Sir Anthony Dowell.[2]
There are currently almost 70 dancers and artists involved in K-Ballet's productions. The most notable include Artistic Director Tetsuya Kumakawa, Principal Dancer Shohei Horiuchi, and Principal Soloist Dancer Mina Kobayashi (as of June 2022).[3]