Kaiser-Walzer

In today's world, Kaiser-Walzer is a topic that has gained great relevance and has generated a wide debate in society. With the advancement of technology and globalization, Kaiser-Walzer has become a key element that impacts different aspects of daily life. From politics to economics, through culture and education, Kaiser-Walzer has managed to transform and shape the way we interact and develop in today's world. This is why it is imperative to understand the importance and implications of Kaiser-Walzer in our daily lives, as well as analyze possible solutions and alternatives to address it effectively.

Emperors Wilhelm II and Franz Joseph I during the latter’s visit to Berlin in 1889

Kaiser-Walzer, Op. 437 (Emperor Waltz) is a waltz composed by Johann Strauss II in 1889. The waltz was originally titled Hand in Hand and was intended as a toast made in August of that year by Emperor of Austria Franz Joseph I on the occasion of his visit to the German Emperor Wilhelm II where it was symbolic as a 'toast of friendship' extended by Austria-Hungary to the German Empire.

Strauss' publisher, Fritz Simrock, suggested the title Kaiser-Walzer, since the title could allude to either monarch. The waltz was first performed in Berlin on 21 October 1889. The original cover of the piano edition bore the illustration of the Austrian Imperial Crown.

Composition


 \relative c' {
  \new PianoStaff <<
   \new Staff { \key a \minor \time 2/2
    \tempo \markup {
     \column {
      \line { Introduction. }
      \line { Langsames Marschtempo. }
     }
    }
    <c e,>-.\pp g4-. <c e,>-. g4-. <c e,>-. g4-. <c e,>-. g4-. <e' c g> r8 <e c>8 <e g>4 r8 <d b>8 <d b f'>4 <d b f'> <c e> r <c e> r8 <c e>8 <e g>4 r8 <g b>8 <a f b,>4 <a f b,> <g e c> r
   }
   \new Staff { \key a \minor \time 2/2 \clef bass
    <c, c,>-. g4-. <c c,>-. g4-. <c c,>-. g4-. <c c,>-. g4-. <c c,>-. g4-. <c c,>-. g4-. <c c,>-. g4-. <c c,>-. g4-. <c c,>-. g4-. <c c,>-. g4-. <c c,>-. g4-. <c c,>-. g4-.
   }
  >>
 }

A quiet march starts the waltz's introduction before a sweeping crescendo heralds the gentle principal melody of the first waltz. As more waltz sections are introduced, the mood remains constantly upbeat and triumphant. A cello solo, rather like a cadenza, near the end of the work reprises the melody of the first waltz section, before a trumpet fanfare ushers the end of the work, complete with a drumroll on the timpani and a strong brass flourish.

Waltz 2

 \relative c' {
  \new PianoStaff <<
   \new Staff { \key f \minor \time 3/4
    \tempo \markup {
     \column {
   }
    }
    r <aes' aes'>-.( <aes aes'>-.) <aes aes'>( <g g'> c) <c f,>2.( <bes f>) r4 <g g'>4-.( <g g'>-.) <g g'>( <f f'> bes) <bes ees,>2.( <aes ees>) r4 f'4-.( f-.) f ( ees aes,) aes\mordent( g) aes bes2
   }
   \new Dynamics {
    s\p
    }
   \new Staff { \key f \minor \time 3/4 \clef bass
    c,,4 <aes' ees'> <aes ees'> c, <aes' ees'> <aes ees'> des, <bes' des> <bes des> des, <bes' des> <bes des> bes, <bes' des> <bes des> ees, <g des'> <g des'> c, <ees c' aes> <ees c' aes> c <ees c' aes> <ees c' aes> aes, <aes' ees' c> <aes ees' c> aes, <aes' ees' c> <aes ees' c> ees <bes' des> <bes des> ees,
   }
  >>
 }

Instrumentation

It is scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, cymbals, bass drum, snare drum, harp, and strings.

References

  • Based on original text by Peter Kemp, The Johann Strauss Society of Great Britain. Used with permission.