In this article, we are going to explore Landolin Ohmacht and its impact on our current society. Landolin Ohmacht is a topic that has sparked the interest of many experts in the field, as well as the general population. Over the years, Landolin Ohmacht has been the subject of numerous studies and investigations, which have allowed us to better understand its implications and consequences in different areas. From its origin to its current effects, Landolin Ohmacht has played a large role in shaping our reality, and it is crucial to analyze it from different perspectives to understand its full scope. In this sense, this article aims to unravel the most relevant aspects of Landolin Ohmacht, as well as discuss its importance and relevance today.
Landolin Ohmacht (11 November 1760 – 31 March 1834) was a German sculptor.
Ohmacht was born in Dunningen. He worked at first as a joiner. He studied under Canova at Rome. In 1801, he settled in Strasbourg, where he lived until his death.
His principal works are: “The Judgment of Paris,” in the royal garden at Munich; the statue of Neptune at Münster, and that of Desaix between Kehl and Strasbourg; the mausoleum of the emperor Rudolph in the cathedral of Spa; the statue of Luther at Weissenburg, and that of “Venus leaving her Bath,” which is regarded as his masterpiece. Among his best known busts are those of Lavater, Klopstock, Raphael, and Holbein. He also sculpted the six muses adorning the façade of the Strasbourg Opera House
He also created busts of Susette Gontard and Erwin von Steinbach (see Walhalla temple) and a monument to Jean-Frédéric Oberlin in the church St. Thomas, Strasbourg.