Liturgical fan in Eastern Christianity

Liturgical fan in Eastern Christianity is a topic that has captivated society's interest for decades. Its importance is undeniable, and its impact has been felt in different aspects of daily life. Over the years, it has become an object of debate, research and reflection, generating different points of view and conflicting opinions. In this article, we will take a closer look at Liturgical fan in Eastern Christianity and explore its implications in various contexts. From its influence on popular culture to its relevance in politics and the economy, Liturgical fan in Eastern Christianity continues to generate a wide spectrum of discussion that leaves no one indifferent.

For the historical use of liturgical fans in Western Christianity, see flabellum.

The ripidion, or hexapterygon is a ceremonial fan used in Eastern Christian[note 1] worship.[1][2]

Eastern Christian ripidion, 19th century (Pskov museum).

In the Eastern Churches, liturgical fans have been used from the first centuries to the present day. A fan is generally made of metal, round, having the iconographic likeness of a six-winged seraphim and is set on the end of a pole. Fans of carved, gilded, or painted wood are also found. Fans are usually made in pairs.

Byzantine Rite

At ordination of a deacon

Upon ordination, a deacon is vested with a certain protocol for each vestment, and then with the same protocol is given a fan and "places himself by the Holy Table, and fans the Holy Things."[3]

Fanning the gifts at the liturgy

Other uses

Fans are carried by the altar servers at all processions with Eucharistic gifts and the Gospel Book.;[4] in the Russian tradition they are often also used to honour a particularly sacred icon or relic. When not in use, the fans are usually kept in stands behind the Holy Table, although in Slavic traditions they may be kept out of sight elsewhere in the altar,[5] especially in northern Russia, where icons of Christ and the Theotokos are usually placed behind the Holy Table.[citation needed]

Other rites

Armenian silver ripidion, with six-winged seraphim

Fans used in the Maronite and Oriental[note 2] traditions are distinctive, having little hoops of metal or bells all around the circumference of the disks, symbolizing the hymns of the angels to God. At particularly solemn points of the liturgy, these are shaken gently to produce a tinkling and jingling sound, akin to the sound of multiple altar bells.

Further reading

Enhanced Strong's Lexicon, James Strong, Oak Harbor, WA, Logos Research Systems, 1995. (Αρ. λέξης 03742). The Anchor Bible Dictionary, Freedman, David Noel, New York, Doubleday, 1997/1992. Pseudo-Dionysius Areopagita, De coelesti hierarchia,

Εγκυκλοπαίδεια, «Πάπυρος, Larousse, Britannica», Εκδόσεις Πάπυρος, Αθήνα, 1976/2006 Catholic Encyclopedia Ο κόσμος των αγγέλων Αρχιμανδρίτου Ιωάννου Καραμούζη

Footnotes

  1. ^ Including in the Orthodox Church, the Non-Chalcedonian or Oriental Orthodox Churches, the Assyrian Church, and the Eastern Catholic Churches
  2. ^ e.g., Coptic, Armenian, Ethiopian

References

  1. ^ Liturgical fans
  2. ^ The Metropolitan Museum - Liturgical fan
  3. ^ The Great Book of Needs: Expanded and Supplemented (Volume 1): The Holy Mysteries. Translated by Saint Tikhon's Monastery. South Canaan, Pennsylvania: Saint Tikhon's Seminary Press (published 2000). 1998. p. 251. ISBN 9781878997562.
  4. ^ The Divine Liturgy (OCA web site)
  5. ^ "Blessing of Hexapterygon, Ripidias (or Ripidas)" (PDF). Holy Trinity Orthodox Church, Willimantic, Connecticut. 2021-01-24.