Lord Glenarvan
Nowadays, Lord Glenarvan is a topic that has gained great relevance in today's society. Over time, it has become a fundamental aspect that affects numerous aspects of daily life. There are many people who have been influenced by Lord Glenarvan, either directly or indirectly. For this reason, it is vitally important to delve into all aspects related to Lord Glenarvan in order to understand its impact on our reality. In this article, we will delve into the exciting world of Lord Glenarvan, exploring its origins, evolution and consequences in different areas. Along these lines, we will discover the importance that Lord Glenarvan has acquired in the modern world and how it has become a topic of debate and reflection in today's society.
| Lord Edward Glenarvan | |
|---|---|
| Voyages Extraordinaires character | |
 Lord Glenarvan in Les Enfants du capitaine Grant | |
| First appearance | Les Enfants du capitaine Grant (1868) |
| Last appearance | L'Île mystérieuse (1874) |
| Created by | Jules Verne |
| In-universe information | |
| Gender | Male |
| Family | wife Lady Helena; cousin Major MacNabb |
| Nationality | Scottish |
Lord Glenarvan is a fictional character that appears in Jules Verne's 1868 novel In Search of the Castaways and then briefly appears in The Mysterious Island (1875). He is a wealthy Scottish noble married to Lady Glenarvan.
Fictional appearances
Lord Glenarvan owns a yacht called the Duncan, which he uses to help find Captain Grant of the Britannia, who is being sought by his children Robert and Mary. After many travels and misfortunes he and his crew eventually finds the captain in the conclusion of In Search of the Castaways.
In The Mysterious Island, Lord Glenarvan uses the Duncan to save castaways and the repentant criminal Tom Ayrton on the fictional Lincoln Island.
In Among the Cannibals, Lord Glenarvan threatens to kill his wife to prevent her from being taken captive by a group of Maori. Moffat interprets this scene as an example of the "European fear" of "the contamination and despoliation of pure and virtuous European women".[1]
Reception
The character has been used to discuss European colonialism in literature.[2][3] Russian playwright Mikhail Bulgakov used the character in a 1928 comedy, The Crimson Island, as a spoof of Western European colonialism.[4][5]
See also
References
- ^ Moffat 2011, p. 59.
- ^ Bongie, Chris (1991). Exotic Memories: Literature, Colonialism, and the Fin de Siècle. Stanford University Press. pp. 1–3. ISBN 9780804765763. Retrieved 4 September 2020.
- ^ Barthes, Roland (2009). New Critical Essays. Northwestern University Press. p. 81. ISBN 9780810126411. Retrieved 4 September 2020.
- ^ Orlich, Ileana Alexandra (2017). Subversive Stages: Theater in Pre- and Post-Communist in Hungary, Romania and Bulgaria. Central European University Press. pp. 63–67. ISBN 978-9633861165. Retrieved 4 September 2020.
- ^ Partridge, Helen Howard (1968). Comedy in the Early Works of Mikhail Bulgakov. Georgetown University. pp. 168–177. Retrieved 4 September 2020.
Sources
- Moffat, Kirstine (2011). "Five Imperial Adventures in the Waikato". Journal of New Zealand Literature (JNZL) (29): 37–65. ISSN 0112-1227. JSTOR 41410924.
External links
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