In this article we are going to talk about Luis Estrada (director), a topic that has been the subject of interest and debate for a long time. Luis Estrada (director) is a topic that has generated conflicting opinions, since its impact and relevance are indisputable in different areas of society. Since its emergence until today, Luis Estrada (director) has been the subject of study, analysis and discussion, which has allowed us to better understand its importance and scope. In this article, we will explore different aspects related to Luis Estrada (director), addressing everything from its history to its influence today, with the aim of providing a complete and enriching overview of this topic.
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Luis Estrada | |
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Born | Luis Estrada Rodríguez 17 January 1962 Mexico City, Mexico |
Alma mater | School of Philosophy and Letters Centro Universitario de Estudios Cinematográficos |
Occupations |
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Years active | 1981–present |
Relatives |
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Luis Estrada Rodríguez (born January 17, 1962) is a Mexican film director, producer, and screenwriter. He is known for his films that openly criticize the Mexican political system and the controversial issues that revolve around it. He has been nominated for 10 Ariel Awards winning four of them, including two Best Director awards for Herod's Law (1999) and El Infierno (2010).
Year | Title | Director | Producer | Writer | Editor |
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1988 | Camino largo a Tijuana | Yes | Yes | No | No |
1991 | Bandidos | Yes | Yes | Yes | Yes |
1994 | Ámbar | Yes | Yes | Yes | Yes |
1999 | Herod's Law | Yes | Yes | Yes | Yes |
2006 | Un mundo maravilloso | Yes | Yes | Yes | Yes |
2010 | Hell | Yes | Yes | Yes | No |
2014 | The Perfect Dictatorship | Yes | Yes | Yes | No |
2023 | ¡Que viva México! | Yes | Yes | Yes | No |
Year | Title | Director | Writer | Editor |
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1981 | Recuerdo de Xochimilco | Yes | No | Yes |
1982 | Andante spianato | Yes | Yes | Yes |
1983 | Laberinto cotidiano | No | No | Yes |
1984 | La divina Lola | Yes | Yes | Yes |
Year | Title | Director | Writer | Notes |
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1989 | La hora marcada | Yes | Yes | Episode "El Motel" |
Year | Title | Role | Notes |
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1981 | La Pachanga | Second assistant director | |
1981 | Ángel del barrio | Assistant director | |
1983 | San ciudadano martir | Actor | Short film |
Cuarteto para el fin del mundo | Sound | ||
1984 | Nocaut | Assistant director | |
1985 | Historias violentas | Production assistant |