Mads Alstrup

In this article we are going to explore Mads Alstrup from different angles and perspectives. Mads Alstrup is a topic that has been the subject of debate and reflection throughout history, generating conflicting opinions and awakening the interest of experts and fans alike. In this sense, we will delve into the various dimensions of Mads Alstrup, analyzing its impact on society, its relevance in the academic field, its influence on popular culture, among other aspects. Through this exploration, we aim to offer a comprehensive vision of Mads Alstrup, delving into its meaning, its implications and its place within contemporary reality.

Mads Alstrup: Granny Clausen. Daguerreotype from 1845

Mads Alstrup (1808-1876) was the first Danish portrait photographer with his own studio. For 16 years, he produced an enormous number of daguerreotypes, in Copenhagen and the provinces, before his business suffered from the financial crisis of 1857. He moved to Sweden in 1858 and continued to take portraits there for the remainder of his life. He is considered to be one of Denmark's pioneers in the practice of photography.

Daguerreotype portraits in Denmark

Born in Viborg and trained as a goldsmith, Alstrup initially had a business in Randers in Jutland. In the summer of 1842, he moved to Copenhagen and set up a daguerreotype studio behind the Hercules Pavilion in the Rosenborg Gardens. In this popular area of the city, he had no difficulty in finding clients interested in having their portraits taken.[1]

From 1843 to 1848, he travelled around Denmark, spending a few days or weeks in different towns where he set up temporary studios. In 1849, he finally settled in Copenhagen, opening a studio at a central location on Østergade near Kongens Nytorv.

While Alstrup was by no means an artist, he was a competent tradesman and, unlike some of the more artistic photographers of his day, he could run a profitable business. Constantly investing in new equipment, the quality of his work improved year by year. Indeed, it is estimated he produced some 33,000 daguerreotypes in the 16 years he worked in Denmark.[2]

Swedish period

After leaving Denmark in 1857, Alstrup moved to Sweden where he travelled from place to place, much as he had done in his early Danish career. In 1859 he was in Hälsingborg and Kristianstad and in 1860, Gothenburg where he stayed for a few years. In 1863, he practiced in Malmö with G.S. Ekeund. He died in Falun, Sweden, in 1876.[3]

See also

References

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  1. ^ Dansk Fotografihistorie, ed. Mette Sandbye. Gyldendal, Copenhagen. 2004, p. 29. ISBN 87-00-39586-2
  2. ^ Marie-Louise Berner, "Mads Alstrups virsomhed som daguerreotypist 1842–1858 Archived 2011-07-19 at the Wayback Machine". Originally published in Fund og Forskning, Bind 40 (2001). Danish with English summary. Retrieved 8 February 2010.
  3. ^ "Svenska Fotografers Förteckning av anno 1899 resp. 1911. Archived 2012-03-03 at the Wayback Machine" (PDF file) (in Swedish) Retrieved 8 February 2010.