In today's world, Magritte Award for Best Editing has become a topic of interest to many people. Since its inception, Magritte Award for Best Editing has captured the attention of individuals of all ages and backgrounds, generating debates, conversations and reflections around its impact on society. Its presence has become evident in different areas, from popular culture to politics, including science, technology and the arts. Magritte Award for Best Editing has managed to transcend barriers and borders, becoming an element that is present in the daily lives of millions of people around the world. With important implications at a global level, Magritte Award for Best Editing has positioned itself as a relevant topic that deserves to be analyzed and discussed from different perspectives. In this article, we will explore the various aspects related to Magritte Award for Best Editing, analyzing its impact, its challenges and possible solutions to the challenges it poses.
Magritte Award for Best Editing | |
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Presented by | Académie André Delvaux |
First award | 2011 |
Currently held by | Nicolas Rumpl, Playground (2021) |
Website | lesmagritteducinema.com |
The Magritte Award for Best Editing (French: Magritte du meilleur montage) is an award presented annually by the Académie André Delvaux. It is one of the Magritte Awards, which were established to recognize excellence in Belgian cinematic achievements.[1]
The 1st Magritte Awards ceremony was held in 2011 with Matyas Veress receiving the award for his work in Mr. Nobody.[2] As of the 2022 ceremony, Nicolas Rumpl is the most recent winner in this category for his work in Playground.
In the list below, winners are listed first in the colored row, followed by the other nominees.
Year | Editor(s) | English title | Original title |
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2020/21 (11th) |
Nicolas Rumpl | Playground | Un monde |
Sophie Vercruysse and Raphaël Balboni | Madly in Life | Une vie démente | |
Marie-Hélène Dozo | The Restless | Les Intranquilles |