In this article we are going to explore and analyze Manfredo Fest from different perspectives and in different contexts. Manfredo Fest is a topic that has captured the attention of people around the world, and its importance and impact are undeniable. Over the years, Manfredo Fest has sparked heated debates, driven significant change, and been a source of inspiration to many. In this post, we will take a deep look at Manfredo Fest to understand its meaning, relevance, and influence on our lives. From its origin to its evolution, Manfredo Fest has left an indelible mark on society, and it is essential to understand its reach in order to appreciate its true value. The objective of this article is to offer a complete and insightful overview of Manfredo Fest, and thus contribute to the understanding and discussion of this topic.
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Manfredo Fest | |
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Birth name | Manfredo Irmin Fest |
Born | Porto Alegre, Rio Grande do Sul, Brazil | May 13, 1936
Died | October 8, 1999 Tampa Bay, Florida, U.S. | (aged 63)
Genres | bossa nova, jazz, blues |
Occupation(s) | Musician, composer |
Instrument(s) | Piano, organ, saxophone |
Years active | 1962–97 |
Manfredo Irmin Fest (May 13, 1936 – October 8, 1999) was a bossa nova and jazz pianist, keyboardist, and bandleader from Brazil.[1][2] Legally blind, he was born in Porto Alegre, Rio Grande do Sul, Brazil, and he died at 63 years old in Tampa Bay, Florida. He was husband of the composer Lili Fest and father of the guitarist Phill Fest.
Manfredo Fest was of German descent: his father was a concert pianist from Germany who taught at University in Porto Alegre. Although he was blind, Fest learned to read music in Braille. His initial musical training had been classical, but at 17 years old, he became interested in the jazz works of George Shearing and Bill Evans. At college he gained steady work playing bossa nova in São Paulo.
In 1961, Fest graduated in piano from the University of Rio Grande do Sul. He also learned to play keyboards and saxophone. One year later, he started his musical career playing in bars, clubs and pubs. In 1963, he recorded his first LP, called Bossa nova, nova bossa. In this album, he counted with Humberto Clayber (bass), Antonio Pinheiro (drums) and Hector Costita (saxophone and flute).
In the 1970s he traveled to the United States where he worked with Sérgio Mendes. His American debut album Manifestations was released in 1978. He was relatively obscure, but worked with noteworthy groups including Béla Fleck and the Flecktones. Fest was a semi-regular at Fandango's on Siesta Key, near Sarasota, Florida.
Fest died of liver failure at the age of 63 in Tampa, Florida, not far from his home in Palm Harbor, where he had lived for 12 years.
Meiselman, Arthur- Danin Adler Scene4 Magazine Around Midnight with Manfredo Fest, June 2009