Mastaba

In this article we will explore the topic of Mastaba, which has generated great interest and controversy in recent times. From its origins to its relevance today, Mastaba has captured the attention of academics, professionals and the general public. Through a detailed analysis, we will examine the different perspectives and opinions that exist around Mastaba, as well as its impact on various areas of society. Additionally, we will delve into the history and evolution of Mastaba, highlighting its achievements and challenges over time. This article seeks to provide a comprehensive and objective view of Mastaba, contributing to the debate and understanding of its importance in today's world.

Example of a mastaba, the Mastabat al-Fir'aun of Shepseskaf

A mastaba (/ˈmæstəbə/ MASS-tə-bə,[1] /ˈmɑːstɑːbɑː/ MAHSS-tah-bah or /mɑːˈstɑːbɑː/ mahss-TAH-bah), also mastabah or mastabat) is a type of ancient Egyptian tomb in the form of a flat-roofed, rectangular structure with inward sloping sides, constructed out of mudbricks or limestone. These edifices marked the burial sites of many eminent Egyptians during Egypt's Early Dynastic Period and Old Kingdom. Non-royal use of mastabas continued for over a thousand years.

The word mastaba comes from the Arabic word مصطبة (maṣṭaba) "stone bench".[2] The Ancient Egyptian name was pr-Djt, meaning "house of stability", "house of eternity", or "eternal house".

History

The afterlife was centralized in the religion of ancient Egyptians. Their architecture reflects this, most prominently by the enormous amounts of time and labor involved in building tombs.[3] Ancient Egyptians believed that the needs from the world of the living would be continued in the afterlife; it was therefore necessary to build tombs that would fulfill them, and be sturdy enough to last for an eternity. These needs would also have to be attended to by the living.[4]

Starting in the Predynastic era (before 3100 BCE) and continuing into later dynasties, the ancient Egyptians developed increasingly complex and effective methods for preserving and protecting the bodies of the dead. They first buried their dead in pit graves dug from the sand with the body placed on a mat, usually along with some items believed to help them in the afterlife. The first tomb structure the Egyptians developed was the mastaba, composed of earthen bricks made from soil along the Nile. It provided better protection from scavenging animals and grave robbers. The origins of the mastaba can be seen in Tarkhan, where tombs would be split into two distinct portions. One side would contain a body, oriented in a north-south position, and the other would be open for the living to deliver offerings.[5] As the remains were not in contact with the dry desert sand, natural mummification could not take place; therefore the Egyptians devised a system of artificial mummification.[6] Until at least the Old Period or First Intermediate Period, only high officials and royalty were buried in these mastabas.[7]

Structure

Structure of a mastaba

The term mastaba comes from the Arabic word for "a bench of mud".[8] When seen from a distance, a flat-topped mastaba does resemble a bench. Historians speculate that the Egyptians may have borrowed architectural ideas from Mesopotamia, since at the time they were both building similar structures.[9]

The above-ground structure of a mastaba is rectangular in shape with inward-sloping sides and a flat roof. The exterior building materials were initially bricks made of the sun-dried mud readily available from the Nile River. Even after more durable materials such as stone came into use, the majority were built from mudbricks.[10] Monumental mastabas, such as those at Saqqara, were often constructed out of limestone.[11] Mastabas were often about four times as long as they were wide, and many rose to at least 10 metres (30 ft) in height. They were oriented north–south, which the Egyptians believed was essential for access to the afterlife. The roofs of the mastabas were of slatted wood or slabs of limestone, with skylights illuminating the tomb.[11] The above-ground structure had space for a small offering chapel equipped with a false door. Priests and family members brought food and other offerings for the soul, or ba, of the deceased, which had to be maintained in order to continue to exist in the afterlife. The construction of mastabas was standardized, with several treatments being common for masonry.[11]

Mastabas were highly decorated, both with paintings on the walls and ceilings, and carvings of organic elements such as palm trees out of limestone. Due to the spiritual significance of the color, it was preferable to construct mastabas from white limestone. If this was not available, the yellow limestone or mudbrick of the tomb would be whitewashed and plastered.[11] Mastabas for royalty were especially extravagant on the exterior, meant to resemble a palace.[5]

Interior

A mastaba was essentially meant to provide the ba with a house in the afterlife, and they were laid out accordingly. Some would be used to house families, rather than individuals, with several burial shafts acting as "rooms".[5] The burial chambers were cut deep, into the bedrock, and were lined with wood.[12] A second hidden chamber called a serdab (سرداب), from the Persian word for "cellar",[13] was used to store anything that may have been considered essential for the comfort of the deceased in the afterlife, such as beer, grain, clothes and precious items.[14] The mastaba housed a statue of the deceased that was hidden within the masonry for its protection. High up the walls of the serdab were small openings that would allow the ba to leave and return to the body (represented by the statue); Ancient Egyptians believed the ba had to return to its body or it would die. These openings "were not meant for viewing the statue but rather for allowing the fragrance of burning incense, and possibly the spells spoken in rituals, to reach the statue".[15] The statues were nearly always oriented in one direction, facing the opening. The serdab could also feature inscriptions, such as the testament and mortuary cult of the owner.[16] More elaborate mastabas would feature open courtyards, which would be used to house more statues and allow the dead to perform rites. Over time, the courtyards grew into magnificent columned halls, which served the same purposes. These halls would typically be the largest room in the mastaba, and they could be used for sacrifices of livestock. Larger mastabas also included a network of storerooms, which the presiding phyle would use to maintain the mortuary cult of the mastaba's owner. Generally, there would be five of these storerooms, used by the living to store equipment needed for performing rites; unlike the serdab, they were not meant to be used by the deceased. These lacked any form of decoration, again distinguishing their function from that of the rest of the tomb. Due to the great expense of adding a complex of storerooms, these were only constructed in the largest of mastabas, for the royal family and viziers.[11]

Architectural evolution

Map of the Giza Plateau, showing the mastabas constructed within the complex

The mastaba was the standard type of tomb in pre-dynastic and early dynastic Egypt for both the pharaoh and the social elite. The ancient city of Abydos was the location chosen for many of the cenotaphs. The royal cemetery was at Saqqara, overlooking the capital of early times, Memphis.[17]

Mastabas evolved over the early dynastic period (c. 3100–2686 BCE). During the 1st Dynasty, a mastaba was constructed simulating house plans of several rooms, a central one containing the sarcophagus and others surrounding it to receive the abundant funerary offerings. The whole was built in a shallow pit above which a brick superstructure covering a broad area. The typical 2nd and 3rd Dynasty (c. 2686–2313) mastabas was the 'stairway mastaba', the tomb chamber of which sank deeper than before and was connected to the top with an inclined shaft and stairs.[17] Many of the features of mastabas grew into those of the pyramids, indicating their importance as a transitory construction of tombs. This notably includes the exterior appearance of the tombs, as the sloped sides of the mastabas extended to form a pyramid. The first and most striking example of this was Djoser's step pyramid, which combined many traditional features of mastabas with a more monumental stone construction.[5]

Even after pyramids became more prevalent for pharaohs in the 3rd and 4th Dynasties, members of the nobility continued to be buried in mastaba tombs. This is especially evident on the Giza Plateau, where at least 150 mastaba tombs have been constructed alongside the pyramids.[18]

In the 4th Dynasty (c. 2613 to 2494 BCE), rock-cut tombs began to appear. These were tombs built into the rock cliffs in Upper Egypt in an attempt to further thwart grave robbers.[19] Mastabas, then, were developed with the addition of offering chapels and vertical shafts. 5th Dynasty mastabas had elaborate chapels consisting of several rooms, columned halls and 'serdab'. The actual tomb chamber was built below the south-end of mastaba, connected by a slanting passage to a stairway emerging in the center of a columned hall or court.

Mastabas are still well attested in the Middle Kingdom, where they had a revival. They were often solid structures with the decoration only on the outside.[20]

By the time of the New Kingdom (which began with the 18th Dynasty around 1550 BC), "the mastaba becomes rare, being largely superseded by the independent pyramid chapel above a burial chamber".[21]

Examples

Non-royal

Royal

See also

References

  1. ^ "Mastaba: definition". Collins Dictionary. n.d. Retrieved 23 October 2014.
  2. ^ "Mastaba Tomb of Perneb". Met Museum. Retrieved 22 October 2016.
  3. ^ Hamlin, Talbot (1954). Architecture through the Ages. New York: Putnam. p. 30.
  4. ^ Teeter, Emily (2011). Religion and Ritual in Ancient Egypt. New York: Cambridge University Press. pp. 146–163. ISBN 9781139230483.
  5. ^ a b c d Snape, Steven (2011). Ancient Egyptian Tombs : The Culture of Life and Death. Chichester, West Sussex, United Kingdom: John Wiley & Sons, Inc. ISBN 9781444393729.
  6. ^ Ancient Egypt and the Near East. Cambridge: MIT Press. 1966. p. 7.
  7. ^ BBC. "mastabas". BBC. Retrieved 29 May 2013.
  8. ^ Gardiner, A. (1964). Egypt of the Pharahos. New York: Oxford University Press. p. 57 n7.
  9. ^ Gascone, Bamber. "History of architecture". History of the world. Retrieved 29 May 2011.
  10. ^ R., C. L. (1913). "A Model of the Mastaba-Tomb of Userkaf-Ankh". Metropolitan Museum of Art Bulletin. 8 (6): 125–130. doi:10.2307/3252928. JSTOR 3252928.
  11. ^ a b c d e Cooke, Ashley (2020). The Architecture of Mastaba Tombs in the unas Cemetery. Sidestone Press. ISBN 9789088908965.
  12. ^ BBC. "Mastabas". bbc. Retrieved 29 May 2013.
  13. ^ Bard, K. A. (1999). Encyclopedia of the Archaeology of Ancient Egypt. New York: Routledge. ISBN 978-0415185899.
  14. ^ Lewis, Ralph. "Burial practices, and Mummies". Rosicrucian Museum. Archived from the original on 13 March 2018. Retrieved 29 May 2013.
  15. ^ Arnold, Dorothea (1999). When the Pyramids were Built: Egyptian Art of the Old Kingdom. New York: Metropolitan Museum of Art. p. 12. ISBN 978-0870999086.
  16. ^ Manuelian, Peter Der (2009). "Penmeru Revisited—Giza Mastaba G 2197 (Giza Archives Gleanings V)". Journal of the American Research Center in Egypt. 45: 3–48. JSTOR 25735445.
  17. ^ a b Fletcher, Banister (1996). A History of Architecture (20th ed.). Oxford: Butterworth-Heinemann. ISBN 978-0750622677.
  18. ^ Davis, Ben (1997). "The Future of the Past". Scientific American. 277 (2): 89–92. JSTOR 24995879.
  19. ^ R., L. E. (1910). "Two Mastaba Chambers". Museum of Fine Arts Bulletin. 8 (45): 19–20. JSTOR 4423469.
  20. ^ Arnold, D. (2008): Middle Kingdom Tomb Architecture at Lisht, Egyptian Expedition XXVIII, Metropolitan Museum of Art: New York ISBN 9781588391940, S. 26–30
  21. ^ Badawy, Alexander (1966). Architecture in Ancient Egypt and the Near East. Cambridge: MIT Press. p. 51.
  22. ^ Awad, Shaden, The Peasant House: Contemporary Meanings, Syntactic Qualities and Rehabilitation Challenges., Graz University of Technology 2010. Accesses 24 Feb 2021.