In today's world, Max Hattler has become a topic of great relevance and interest to many people. Over time, Max Hattler has gained significant importance in various areas, generating debates, controversies, research and in-depth analysis. In this article, we will explore in detail the different aspects related to Max Hattler, analyzing its impact on society, its evolution over the years and its relevance in the current context. Through research and detailed examination of various sources, we seek to shed light on Max Hattler and provide the reader with a deep and enriching understanding of this highly relevant topic.
Max Hattler is a German video artist and experimental filmmaker. He created the kaleidoscopic political short films "Collision" (2005) and "Spin" (2010), abstract stop motion works "Shift" (2012) and "AANAATT" (2008), and psychedelic animation loops "Sync", "1923 aka Heaven" and "1925 aka Hell" (2010).
Hattler's work has been described in the following terms: "Max Hattler works on the thin line between abstraction and figuration, being able sometimes to create powerful political statements while eschewing the traditional constraints of narrative, choosing a poetics of implication over the mere construction of a discourse."[4]
Visual Music Award (First Prize) for "A Very Large Increase in the Size, Amount, or Importance of Something Over a Very Short Period of Time", Gelnhausen, Germany, 2014.[25]
Visual Music Award (Special Mention) for "Amnesty International: Stop the Show (a.k.a. WAR)", Gelnhausen, Germany, 2014.[26]
^"Prof Doc Fine Art (DFA)". University of East London. 2015. Retrieved 24 July 2015. ... The Doctorate has helped me steer my entire artistic practice towards a more considered, grounded, and unified expression, a solid foundation on which to build in years to come. '