Max Varnel is a topic that has aroused great interest in recent years, since its impact covers different areas of society. Since its appearance, it has become a topic of debate, research and reflection, generating conflicting opinions and enriching knowledge around it. In this article, we will delve into the different aspects surrounding Max Varnel, exploring its history, evolution and impact today. We will analyze different perspectives, evidence and arguments to fully understand this phenomenon that has captured the attention of so many people around the world.
Max Varnel | |
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Born | Max Le Bozec March 21, 1925 Paris, France |
Died | January 15, 1996 Sydney, New South Wales, Australia | (aged 70)
Occupation(s) | Film and television director |
Spouse | Gillian Varnel |
Children | Simonne Varnel and Marcel Varnel |
Max Varnel (21 March 1925 – 15 January 1996)[1] was a French-born Australian film and television director who worked primarily in the United Kingdom and Australia.[2]
Born Max Le Bozec in Paris, France, he was the son of the film director Marcel Varnel.[1] He began his career as an assistant director of The Magic Box (1951) and continued in this role for films including The Card (1952), Devil Girl from Mars (1954) and The Cockleshell Heroes (1955)
His directing credits encompass a series of B movies, including Moment of Indiscretion (1958), A Woman Possessed (1958), Top Floor Girl (1959), Web of Suspicion (1959), The Child and the Killer (1959), and Crash Drive (1959).
Varnel's television credits include The Vise, The Cheaters, Softly Softly, and The Troubleshooters in the UK, and Skippy, Glenview High, The Young Doctors, and Neighbours in Australia, where he emigrated in the late 1960s.
Varnel died of a heart attack in Sydney at the age of 70.[1]