In today's article, we want to address the topic of Michelle Terry, a topic that has caused a great impact on today's society. Michelle Terry is an issue that affects people of all ages, genders and cultures, so it is important to analyze it from different perspectives. Throughout this article, we will explore the origins of Michelle Terry, its evolution over time, and its influence on various aspects of everyday life. Additionally, we will examine possible solutions or approaches to address this issue effectively. We hope that this article generates reflection and debate among our readers, as well as provides valuable information about Michelle Terry.
Michelle Terry | |
---|---|
Born | 1979 (age 45–46) |
Education | Cardiff University (BA) Royal Academy of Dramatic Art (BA) |
Spouse | Paul Ready |
Children | 1 |
Michelle Terry (born 1979, Nuneaton, Warwickshire) is an Olivier Award–winning English actress and writer, known for her extensive work for Shakespeare's Globe, the Royal Shakespeare Company and the Royal National Theatre, as well as her television work, notably writing and starring in the Sky One television series The Café. Terry took up the role of artistic director at Shakespeare's Globe in April 2018.[1]
Terry was born in Nuneaton,[2] moving while still a child to grow up in Weston-super-Mare.[3] She was raised in Kewstoke, and attended Priory Community School and Broadoak Sixth Form Centre.[4]
Terry aspired to be an actress from an early age.[5] She attended an amateur dramatic society and took LAMDA exams at school in poetry, prose and spoken verse. At the age of fourteen she joined the National Youth Theatre.[3][6] She read English literature at Cardiff University before training at the Royal Academy of Dramatic Art, graduating in 2004.[6]
Terry made her professional debut in the touring and subsequent West End production of Blithe Spirit, playing the Maid and understudying Elvira.[3] Her other theatre credits include The War on Terror, 50 Ways to Leave Your Lover, The Man Who Had All the Luck, Tribes and As You Like It. Her work at the National Theatre includes London Assurance, All's Well That Ends Well and England People Very Nice.[5][7] She also appeared in broadcast versions of London Assurance and All's Well That Ends Well as part of National Theatre Live. For the Royal Shakespeare Company, Terry has appeared in productions of Days of Significance, Pericles, The Winter's Tale, The Crucible and Love's Labour's Lost, playing Rosaline.[7] She was among the writers of Sudden Loss of Dignity, staged at the Bush Theatre in 2009.[8]
Terry won critical acclaim for her work at Shakespeare's Globe Theatre, for her performance of Rosalind in As You Like It. London's Financial Times wrote "I'm not sure it's possible to see Michelle Terry on a stage without falling a little in love with her. She has the intelligence, inventiveness and vivacity to play the character and the show simultaneously, not setting herself above the material but relishing her immersion in the role and inviting us to share it with her."[9] She also appeared in productions of Love's Labour's Lost and A Midsummer Night's Dream at that venue, both of which were released on DVD. On 24 July 2017 she was announced as its fourth artistic director, to succeed Emma Rice in April 2018.[1]
Terry starred in the lead role in a 2018 gender fluid version of Hamlet.[10] The Spectator said in their review "No one but Ms Terry would have hired Ms Terry for this role. She's a decent second-tier actress without any special vocal or physical endowments."[10]
The Guardian called the play "a perfectly decent production and a welcome relief from the work of the previous Globe regime, which seemed to assume that the plays were a bit boring unless jazzed up."[11]
The Stage said: "It's a production that places clarity of verse and emotion over directorial fireworks. One of the most striking elements is Terry's costume. When she assumes her antic disposition, she also dons a white clown suit with a jagged lipstick grin. By making Hamlet a jester, it licenses her to behave in different ways. It shifts her status in the family. It grants her power and marks her apart. Laughter can be a weapon after all. It's an interesting idea that is under-explored."[12]
Terry starred in the lead role of Lady Macbeth opposite her husband Paul Ready in Macbeth at the Globe's candlelit Sam Wanamaker Playhouse.
In The Globe's 2021 production of Twelfth Night, directed by Sean Holmes, Terry starred as Viola.[13]
In The Globe's 2024 production of Richard III, Terry cast herself in the lead, which generated backlash and controversy over a non-disabled actor casting themselves as a disabled character and historical figure. The script was also edited in an attempt to make Richard non-disabled which subsequently led to 281 disabled actors and allied art professionals, and 35 organisations including several theatre companies, under the name of this Disabled Artists Alliance speaking out against this casting and "the erasure and rewriting of Richard's core disabled identity".[14]
Her television credits include episodes of Extras, Law & Order: UK and the Mike Bullen pilot Reunited, playing "Sara".[15] She was co-writer, with Ralf Little, of the comedy drama TV series, The Café, which aired on Sky1 from 2011 to 2013, in which she played "Sarah Porter". The series was set and filmed in her own hometown, Weston-super-Mare.[4][16]
Terry is married to the actor Paul Ready. The pair met in 2009 when they performed in Love's Labour's Lost at Shakespeare's Globe together. They have one daughter, who was born in 2016.
Year(s) | Title | Role | Theatre | Ref. |
---|---|---|---|---|
2004/5 | Blithe Spirit | Edith | Savoy Theatre | |
2005 | As You Like It | Celia | New Vic Theatre | |
The Burial at Thebes | Ismene/Chorus | Nottingham Playhouse | ||
2006 | Beautiful Thing | Leah | Sound Theatre | |
The Crucible | Mary Warren | Royal Shakespeare Theatre | ||
Days of Significance | Clare | Swan Theatre | ||
2006/7 | Pericles | Philemon | ||
The Winter's Tale | Perdita | |||
2007 | The Promise | Lika | New Wimbledon Theatre | |
Love's Labour's Lost | Princess of France | Shakespeare's Globe | ||
2008 | The War on Terror | Woman | Bush Theatre | |
Two Cigarettes | Girl | |||
50 Ways to Leave Your Lover | Rosaline | |||
The Man Who Had All the Luck | Hester Falk | Donmar Warehouse | ||
2009 | England People Very Nice | Camille/Mary/Black Ruth/Deborah | National Theatre | |
All's Well That Ends Well | Helena | [17] | ||
Love's Labour's Lost | Princess of France | Shakespeare's Globe | [18] | |
2010 | London Assurance | Grace Harkaway | National Theatre | [19] |
Light Shining in Buckinghamshire | Hoskyns | Arcola Theatre | ||
Tribes | Sylvia | Royal Court Theatre | [20] | |
2011/12 | The Comedy of Errors | Luciana | National Theatre | [21] |
2012/13 | In the Republic of Happiness | Madeleine | Royal Court Theatre | [22] |
2013 | Before the Party | Kathleen Skinner | Almeida Theatre | [23] |
A Midsummer Night's Dream | Hippolyta/Titania | Shakespeare's Globe | [24] | |
2014 | Love's Labour's Lost | Rosaline | Royal Shakespeare Theatre | [25] |
Much Ado About Nothing (Love's Labour's Won) | Beatrice | |||
Privacy | Director | Donmar Warehouse | [26] | |
2015 | As You Like It | Rosalind | Shakespeare's Globe | |
2016 | Cleansed | Grace | National Theatre | [27] |
2016 | Henry V | King Henry V | Regent's Park Open Air Theatre | [28] |
2017 | Becoming | Self | Donmar Warehouse | [29] |
2018 | As You Like It | Adam/William/Jacques de Bouys | Shakespeare's Globe | [30] |
Hamlet | Hamlet | |||
2018/19 | Macbeth | Lady Macbeth | Sam Wanamaker Playhouse | [31] |
2019 | Henry IV, Part 1 | Hotspur | Shakespeare's Globe | [32] |
2020 | The Taming of the Shrew | Biondello | Sam Wanamaker Playhouse | |
Macbeth: A Conjuring | Lady Macbeth | [33] | ||
2021 | Twelfth Night | Viola | Shakespeare's Globe | [34] |
2022 | King Lear | Cordelia/Fool | [35] | |
2023 | A Midsummer Night's Dream | Puck | [36] | |
Twelfth Night: For One Night Only | Olivia | [37] | ||
2024 | Richard III | King Richard III | [38] | |
2025 | Three Sisters | Olga | Sam Wanamaker Playhouse | [39] |
An Oak Tree | Guest performer | Young Vic | [40] |
Year | Title | Role | Notes | Ref. |
---|---|---|---|---|
2010 | Reunited | Sara | [41] | |
2011 | Five Truths | Ophelia | Video installation for V&A | [42] |
My Times | Short film | [43] | ||
2013 | Fifty Years on Stage | Dr. Bird/Shepherd 3 | [44] | |
2016 | The Complete Walk: As You Like It | Director, short film | [45] | |
The Complete Walk: King John | [46] | |||
The Complete Walk: Richard III | [47] | |||
The Complete Walk: The Winter's Tale | [48] | |||
The Complete Walk: Hamlet | Hamlet | Short film | [49] |
Year | Title | Role | Notes | Ref. |
---|---|---|---|---|
2005 | Extras | Female Extra | Episode: "Patrick Stewart" | [50] |
2009 | Law & Order: UK | Debbie Grove | Episode: "Unloved" | [51] |
2011 | The Café | Sarah Porter | Actress/writer/producer | [52] |
2018 | Marcella | Jane Colletti | 7 episodes | [53] |
Year | Title | Role | Station | Notes | Ref. |
---|---|---|---|---|---|
2013 | Listening to the Dead | Clara | BBC Radio 4 | Episode: "Four Sons" | [54] |
Pilgrim | Norah | Episode: "Woolmere Walter" | [55] | ||
2014 | Educator | Maria | BBC Radio 3 | [56] | |
Pride and Prejudice | Charlotte Lucas | BBC Radio 4 | 2 episodes | [57] | |
Words and Music | Reader | BBC Radio 3 | Episode: "Women Beware Women" | [58] | |
2015 | Book of the Week | Reader | BBC Radio 4 | 5 episodes: "All Day Long" | [59] |
2023 | The Essay | Reader | BBC Radio 3 | Episode: "Reading the First Folio — Michelle Terry on As You Like It" | [60] |
Terry won Best Actress in a Visiting Production at the 2008 Manchester Evening News Theatre Awards, for the Donmar Warehouse production of The Man Who Had All the Luck.[61]
She won Best Actress in a Supporting Role at the 2011 Laurence Olivier Awards, for her portrayal of Sylvia in the Royal Court Theatre production of Tribes.[62]