In today's article we will talk about Monica Tap, a topic that has captured the attention of many people over time. Monica Tap is a concept that has generated debate and discussion in different areas, from the personal to the professional level. Since its appearance, Monica Tap has aroused the interest of researchers, experts and curious people who seek to further understand its meaning and its impact on society. Throughout history, Monica Tap has demonstrated its ability to influence the way people think and act, and in this article we will explore some of the reasons behind its relevance and continued presence in our lives.
Monica Tap | |
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Born | Monica Tap 1962 Edmonton, Alberta, Canada |
Education | Nova Scotia College of Art and Design |
Known for | Painter |
Website | monicatap |
Monica Tap (born 1962) is a Canadian painter, artist and educator. She lives in Toronto, Ontario, and teaches at the University of Guelph. She is known for engaging and challenging conventions concerning landscape and still-life painting.[1]
Tap was born in Edmonton, Alberta.[2] She attended the Alberta College of Art, University of Alberta (1986), and NSCAD University for her BFA (1990), and MFA (1996). She studied Fine Arts with Gerald Ferguson.[1][3] Tap is also a professor at the University of Guelph in the School of Fine Art and Music.[4][5]
Tap often uses photographs and video stills as source material for her paintings. For instance, in her work for the exhibition Running on Empty, she peered out of window of a car, and used a digital camera to record the landscape ("at the Mpeg standard format of 15 frames per second" as Heather Nicol, the author of the catalogue, said). The resulting images are blurred and though not abstract, are toward abstraction.[6] Barry Schwabsky has noted that "her art offers one of the richest and most original revisionary instances of how the temporality of the act of looking can continue to keep painting in motion today".[7]
She has exhibited her work across Canada and abroad, and is currently represented by MKG127 in Toronto and Peter Robertson Gallery in Edmonton.[3]
Monica Tap's works are included in many public and private collections including the Art Gallery of Alberta, the Art Gallery of Guelph, the Art Gallery of Nova Scotia, the Tom Thomson Art Gallery, Foreign Affairs and International Trade Canada (NYC, Berlin), Canada House (London, UK), Bank of Montréal, TELUS, Royal Bank of Canada, Scotiabank, Four Seasons Hotel & Resorts, ESSO Imperial Oil Canada, CIBC Mellon, University of Toronto, Würth Collection (Germany), and the Crystal Bridges Museum of American Art.[8]