Neue Pizzicato Polka

In this article we are going to address the issue of Neue Pizzicato Polka, which has gained great relevance in recent years. Neue Pizzicato Polka is a topic that has captured the attention of people in different fields, from academics to professionals, due to its impact and relevance in today's society. Throughout history, Neue Pizzicato Polka has been the object of study, debate and reflection, demonstrating its importance in various disciplines. In this article, we will delve into the world of Neue Pizzicato Polka, exploring its different facets, its evolution over time and its influence on contemporary society.

Johann Strauss II's Neue Pizzicato-Polka (English: New Pizzicato Polka), Op. 449, was composed in early 1892 for concerts in Hamburg under Eduard Strauss. It was titled in contradistinction to the old 1869 Pizzicato-Polka jointly composed by Johann Strauss and his brother Josef and in reference to its scoring for string orchestra marked pizzicato throughout. It is in ternary form with an ad libitum glockenspiel solo in the trio.[citation needed] Strauss later used this music for the ballet between the second and third acts of his operetta Fürstin Ninetta.[1]

References

  1. ^ "Strauss II, J.: Waltzes, Polkas, Marches and Overtures, Vol. 5 CD". NaxosDirect. Archived from the original on 14 July 2011. Retrieved 9 October 2008.
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