In this article, we will explore the significant impact Nightmare Ending has had on various aspects of modern society. From its influence in the cultural field to its relevance in the scientific field, Nightmare Ending has left an indelible mark on the history of humanity. Over the decades, Nightmare Ending has been the subject of study and debate, arousing conflicting opinions and triggering important changes in the way we perceive the world around us. Through the detailed analysis of different perspectives and relevant events, this article aims to shed light on the significance of Nightmare Ending and its implications in contemporary society.
Nightmare Ending | ||||
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Studio album by | ||||
Released | May 14, 2013 | |||
Genre | Ambient | |||
Length | 83:47 | |||
Label | Temporary Residence Limited | |||
Eluvium chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Consequence of Sound | ![]() ![]() ![]() ![]() ![]() |
Sputnikmusic | 3.9/5[3] |
Nightmare Ending is the seventh studio album from Portland, Oregon ambient musician Matthew Robert Cooper, under the name Eluvium. It is a double-album and was released on May 14, 2013. The album’s final track, “Happiness”, features vocals by Ira Kaplan of the band Yo La Tengo. A special digital edition, featuring a print by artist Jeannie Paske, was released on May 1, 2013, limited to 300 copies.[4][5][6][7][8][9][10][11]
Disc 1
Disc 2