Nordseebilder

In today's world, Nordseebilder is a topic that has gained great relevance in all areas of society. From politics to technology, culture and economics, Nordseebilder has significantly impacted the way we live and relate. Over the years, Nordseebilder has sparked passionate debates and brought about profound changes in the way we approach different aspects of our daily lives. In this article, we will explore the different facets of Nordseebilder and analyze its influence in different areas, in order to better understand its impact on today's society.

Nordseebilder
by Johann Strauss II
Cover of the piano score (Published by August Cranz)
Opus390
FormWaltz

Nordseebilder (North Sea Pictures) op. 390 is a waltz by Johann Strauss II composed in 1879.

This seascape waltz composition resulted from Strauss' visit to the North Frisian island of Föhr, when he and his second wife Angelika stayed in the town of Wyk during one of the holidays. The contrasting moods offered from living so close to the North Sea immediately galvanised Strauss' creative spirit which produced this mature work, capturing the sea storms as well as the strong gale all in 3/4 time.

Strauss' audiences in Vienna first heard the work when his brother Eduard Strauss conducted it at one of his concerts in the Musikverein on 16 November 1879. The waltz's slow introduction suggests a calm sea scene, while swirling waves are captured in later themes. The coda incorporates the 'sea storm' scene, with furious chords and fierce brass instruments suggesting the North Sea at the time of a severe gale. The first waltz theme is re-introduced before the work ends in a brilliant finish.

Waltz 1

\relative c' { \new PianoStaff << \new Staff { \key e \minor \time 3/4 << { s16 \slashedGrace b'8 s4 b4\rest a g b4\rest a \slashedGrace b8 s4 b4\rest a g b4\rest a b( d a) b( d g) \slashedGrace g8 s2. s \slashedGrace c,8 s4 b4\rest b a b4\rest b \slashedGrace c8 s4 b4\rest b a b4\rest b } \\ { s16 d4\p s4 d, b s d d'4 s4 d, b s d g2.~ g\< e'2.^~ e\! e4\p s4 e, c s e e'4 s4 e, c s e c'\f^( b'2^~) b a8-. fis-. a2.^( g4) b,4\rest b4\rest } >> } \new Dynamics { } \new Staff { \key e \minor \time 3/4 \clef bass << { s16 g,,4 s s g s s g s s g s s g s s g'( fis f) c s s b s s a s s a s s a s s a } \\ { s16 s4 <d g b> <d g b> s <d g b> <d g b> s <d g b> <d g b> s <d g b> <d g b> s <d g b> <d g b> g, r r s <g' c e> <g c e> s <e g d'> <e g d'> s <e a c> <e a c> s <e a c> <e a c> s <e a c> <e a c> s <e a c> <e a c> d <fis c' d> <fis c' d> d <fis c' d> <fis c' d> g <b d> <b d> g <b d> <b d> } >> } >> }

References

Based on original text by Peter Kemp, The Johann Strauss Society of Great Britain. Used with permission.


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