In this article we are going to delve into the fascinating world of Peter Westergaard. From its origins to its relevance today, Peter Westergaard has been a topic of interest in various fields. Throughout history, Peter Westergaard has demonstrated its influence in society, culture, technology, politics, and many other areas. Through in-depth analysis, we will explore the different perspectives and approaches that have emerged around Peter Westergaard, as well as its impact on everyday life. This article seeks to give a comprehensive view of Peter Westergaard, providing relevant and updated information for those interested in expanding their knowledge on this topic.
![]() | This article includes a list of general references, but it lacks sufficient corresponding inline citations. (June 2019) |
Peter Talbot Westergaard (28 May 1931[1] – 26 June 2019)[2] was an American composer and music theorist. He was Professor Emeritus of music at Princeton University.
Westergaard was born on 28 May 1931[3] in Champaign, Illinois. He pursued undergraduate studies at Harvard University, graduating in 1953, and in 1956 obtained an M.F.A. degree from Princeton University. He studied with Roger Sessions, Walter Piston, Darius Milhaud, Edward Cone, Milton Babbitt and Wolfgang Fortner (Pratt 2001) in Freiburg/Germany.[citation needed]
He taught at Columbia University, Amherst College, and Princeton University before retiring in 2001. He continued to be active as a composer, mainly of opera and chamber music. He died in June 2019 at the age of 88.[4]
Amongst former pupils of Babbitt, Westergaard stands out for his contributions to serial theory, as well as for his compositions, which are characterized by a delight in symmetry and mirror relationships, together with a concern for the systematic and integrated use of all the parameters of music, producing multileveled, clear, beautiful, and audible patterns (Griffiths 1981, 160–61).
Film version of Alice in Wonderland published by Albany records.[full citation needed]