Portal:Martial arts

In this article, we will explore the fascinating world of Portal:Martial arts, a topic that has captured the attention of countless individuals throughout history. From its origins to its relevance today, Portal:Martial arts has played a significant role in various spheres of life. Through detailed analysis, we will examine the different facets of Portal:Martial arts, highlighting its impact on society, culture and science. With a retrospective and prospective look, this article seeks to provide a comprehensive understanding of Portal:Martial arts and its influence on the contemporary world.

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United States Marine practicing martial arts, 2008

Martial arts are codified systems and traditions of combat practiced for a number of reasons such as self-defence; military and law enforcement applications; competition; physical, mental, and spiritual development; entertainment; and the preservation of a nation's intangible cultural heritage. The concept of martial arts was originally associated with East Asian tradition, but subsequently the term has been applied to practices that originated outside that region. (Full article...)

Although the earliest evidence of martial arts goes back millennia, the true roots are difficult to reconstruct. Inherent patterns of human aggression which inspire practice of mock combat (in particular wrestling) and optimization of serious close combat as cultural universals are doubtlessly inherited from the pre-human stage and were made into an "art" from the earliest emergence of that concept. Indeed, many universals of martial art are fixed by the specifics of human physiology and not dependent on a specific tradition or era.

Specific martial traditions become identifiable in Classical Antiquity, with disciplines such as shuai jiao, Greek wrestling or those described in the Indian epics or the Spring and Autumn Annals of China. (Full article...)

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  • Image 1 Boxing is a combat sport and martial art. Taking place in a boxing ring, it involves two people – usually wearing protective equipment, such as protective gloves, hand wraps, and mouthguards – throwing punches at each other for a predetermined amount of time. Although the term "boxing" is commonly attributed to western boxing, in which only fists are involved, it has developed in different ways in different geographical areas and cultures of the World. In global terms, "boxing" today is also a set of combat sports focused on striking, in which two opponents face each other in a fight using at least their fists, and possibly involving other actions, such as kicks, elbow strikes, knee strikes, and headbutts, depending on the rules. Some of these variants are the bare-knuckle boxing, kickboxing, Muay Thai, Lethwei, savate, and sanda. Boxing techniques have been incorporated into many martial arts, military systems, and other combat sports. (Full article...)
    Boxing is a combat sport and martial art. Taking place in a boxing ring, it involves two people – usually wearing protective equipment, such as protective gloves, hand wraps, and mouthguards – throwing punches at each other for a predetermined amount of time.

    Although the term "boxing" is commonly attributed to western boxing, in which only fists are involved, it has developed in different ways in different geographical areas and cultures of the World. In global terms, "boxing" today is also a set of combat sports focused on striking, in which two opponents face each other in a fight using at least their fists, and possibly involving other actions, such as kicks, elbow strikes, knee strikes, and headbutts, depending on the rules. Some of these variants are the bare-knuckle boxing, kickboxing, Muay Thai, Lethwei, savate, and sanda. Boxing techniques have been incorporated into many martial arts, military systems, and other combat sports. (Full article...)
  • Image 2 Japanese swords. Two tachi with full mountings (middle and bottom right), a sword with a Shirasaya-style tsuka (top right), a wakizashi (top left), and various tsuba (bottom left). A Japanese sword (Japanese: 日本刀, Hepburn: nihontō) is one of several types of traditionally made swords from Japan. Bronze swords were made as early as the Yayoi period (1,000 BC – 300 AD), though most people generally refer to the curved blades made from the Heian period (794–1185) to the present day when speaking of "Japanese swords". There are many types of Japanese swords that differ by size, shape, field of application and method of manufacture. Some of the more commonly known types of Japanese swords are the uchigatana, tachi, ōdachi, wakizashi, and tantō. (Full article...)
    Japanese swords. Two tachi with full mountings (middle and bottom right), a sword with a Shirasaya-style tsuka (top right), a wakizashi (top left), and various tsuba (bottom left).


    A Japanese sword (Japanese: 日本刀, Hepburn: nihontō) is one of several types of traditionally made swords from Japan. Bronze swords were made as early as the Yayoi period (1,000 BC – 300 AD), though most people generally refer to the curved blades made from the Heian period (794–1185) to the present day when speaking of "Japanese swords". There are many types of Japanese swords that differ by size, shape, field of application and method of manufacture. Some of the more commonly known types of Japanese swords are the uchigatana, tachi, ōdachi, wakizashi, and tantō. (Full article...)
  • Image 3 a silver stater of Aspendos, Pamphilia (c.380-325 BC) Greek wrestling (Ancient Greek: πάλη, romanized: pálē), also known as Ancient Greek wrestling and Pále (πάλη), was the most popular organized sport in Ancient Greece. A point was scored when one player touched the ground with his back, hip or shoulder, or conceding defeat due to a submission-hold or was forced out of the wrestling-area. Three points had to be scored to win the match. One particularly important position in this form of wrestling was one where one of the contestants was lying on his abdomen with the other on his back trying to strangle him (back mount). The athlete on the bottom would try to grasp an arm of the one on top and turn him over onto his back while the athlete on top would try to complete the choke without being rolled. (Full article...)

    a silver stater of Aspendos, Pamphilia (c.380-325 BC)

    Greek wrestling (Ancient Greek: πάλη, romanized: pálē), also known as Ancient Greek wrestling and Pále (πάλη), was the most popular organized sport in Ancient Greece. A point was scored when one player touched the ground with his back, hip or shoulder, or conceding defeat due to a submission-hold or was forced out of the wrestling-area. Three points had to be scored to win the match.

    One particularly important position in this form of wrestling was one where one of the contestants was lying on his abdomen with the other on his back trying to strangle him (back mount). The athlete on the bottom would try to grasp an arm of the one on top and turn him over onto his back while the athlete on top would try to complete the choke without being rolled. (Full article...)
  • Image 4 A retiarius stabs at a secutor with his trident in this mosaic from the villa at Nennig, c. 2nd–3rd century CE. A retiarius (plural retiarii; literally, "net-man" in Latin) was a Roman gladiator who fought with equipment styled on that of a fisherman: a weighted net (rete (3rd decl.), hence the name), a three-pointed trident (fuscina or tridens), and a dagger (pugio). The retiarius was lightly armoured, wearing an arm guard (manica) and a shoulder guard (galerus). Typically, his clothing consisted only of a loincloth (subligaculum) held in place by a wide belt, or of a short tunic with light padding. He wore no head protection or footwear. The retiarius was routinely pitted against a heavily armed secutor. The net-fighter made up for his lack of protective gear by using his speed and agility to avoid his opponent's attacks and waiting for the opportunity to strike. He first tried to throw his net over his rival. If this succeeded, he attacked with his trident while his adversary was entangled. Another tactic was to ensnare his enemy's weapon in the net and pull it out of his grasp, leaving the opponent defenceless. Should the net miss or the secutor grab hold of it, the retiarius likely discarded the weapon, although he might try to collect it back for a second cast. Usually, the retiarius had to rely on his trident and dagger to finish the fight. The trident, as tall as a human being, permitted the gladiator to jab quickly, keep his distance, and easily cause bleeding. It was not a strong weapon, usually inflicting non-fatal wounds so that the fight could be prolonged for the sake of entertainment. The dagger was the retiarius's final backup should the trident be lost. It was reserved for when close combat or a straight wrestling match had to settle the bout. In some battles, a single retiarius faced two secutores simultaneously. For these situations, the lightly armoured gladiator was placed on a raised platform and given a supply of stones with which to repel his pursuers. (Full article...)
    A retiarius stabs at a secutor with his trident in this mosaic from the villa at Nennig, c. 2nd–3rd century CE.


    A retiarius (plural retiarii; literally, "net-man" in Latin) was a Roman gladiator who fought with equipment styled on that of a fisherman: a weighted net (rete (3rd decl.), hence the name), a three-pointed trident (fuscina or tridens), and a dagger (pugio). The retiarius was lightly armoured, wearing an arm guard (manica) and a shoulder guard (galerus). Typically, his clothing consisted only of a loincloth (subligaculum) held in place by a wide belt, or of a short tunic with light padding. He wore no head protection or footwear.

    The retiarius was routinely pitted against a heavily armed secutor. The net-fighter made up for his lack of protective gear by using his speed and agility to avoid his opponent's attacks and waiting for the opportunity to strike. He first tried to throw his net over his rival. If this succeeded, he attacked with his trident while his adversary was entangled. Another tactic was to ensnare his enemy's weapon in the net and pull it out of his grasp, leaving the opponent defenceless. Should the net miss or the secutor grab hold of it, the retiarius likely discarded the weapon, although he might try to collect it back for a second cast. Usually, the retiarius had to rely on his trident and dagger to finish the fight. The trident, as tall as a human being, permitted the gladiator to jab quickly, keep his distance, and easily cause bleeding. It was not a strong weapon, usually inflicting non-fatal wounds so that the fight could be prolonged for the sake of entertainment. The dagger was the retiarius's final backup should the trident be lost. It was reserved for when close combat or a straight wrestling match had to settle the bout. In some battles, a single retiarius faced two secutores simultaneously. For these situations, the lightly armoured gladiator was placed on a raised platform and given a supply of stones with which to repel his pursuers. (Full article...)
  • Image 5 Drawing of the archetypical ninja from a series of sketches by Hokusai. Woodblock print on paper. Vol. six, 1817. A ninja (Japanese: 忍者; ) or shinobi (Japanese: 忍び; ) was a spy and infiltrator in pre-modern Japan. The functions of a ninja included siege and infiltration, ambush, reconnaissance, espionage, deception, and later bodyguarding. Antecedents may have existed as early as the 12th century. There is little evidence that they were assassins. In the unrest of the Sengoku period, jizamurai families, that is, elite peasant-warriors, in Iga Province and the adjacent Kōka District formed ikki – "revolts" or "leagues" – as a means of self-defense. They became known for their military activities in the nearby regions and sold their services as mercenaries and spies. It is from these areas that much of the knowledge regarding the ninja is drawn. Following the Tokugawa shogunate in the 17th century, the ninja faded into obscurity. A number of shinobi manuals, often based on Chinese military philosophy, were written in the 17th and 18th centuries, most notably the Bansenshūkai (1676). (Full article...)
    Drawing of the archetypical ninja from a series of sketches by Hokusai. Woodblock print on paper. Vol. six, 1817.


    A ninja (Japanese: 忍者; [ɲiꜜɲdʑa]) or shinobi (Japanese: 忍び; [ɕinobi]) was a spy and infiltrator in pre-modern Japan. The functions of a ninja included siege and infiltration, ambush, reconnaissance, espionage, deception, and later bodyguarding. Antecedents may have existed as early as the 12th century. There is little evidence that they were assassins.

    In the unrest of the Sengoku period, jizamurai families, that is, elite peasant-warriors, in Iga Province and the adjacent Kōka District formed ikki – "revolts" or "leagues" – as a means of self-defense. They became known for their military activities in the nearby regions and sold their services as mercenaries and spies. It is from these areas that much of the knowledge regarding the ninja is drawn. Following the Tokugawa shogunate in the 17th century, the ninja faded into obscurity. A number of shinobi manuals, often based on Chinese military philosophy, were written in the 17th and 18th centuries, most notably the Bansenshūkai (1676). (Full article...)
  • Image 6 Togakure-ryū (戸隠流) is a historical tradition of ninjutsu known as the "School of the Hidden Door", allegedly founded during the Oho period (1161–1162) by Daisuke Nishina (仁科大助) (a.k.a. Daisuke Togakure (戸隠大助)), who learned his original fighting techniques from a Chinese monk named Kain Dōshi. However, the history and early lineage of Togakure-ryū may be impossible to verify due to the antiquity of the time period and its claimed historicity has been disputed by Watatani Kiyoshi, writer for the Bugei Ryūha Daijiten. After Togakure, the title of Sōke (head of school) was recorded by Toda Shinryuken Masamitsu to have been passed down through other practitioners that kept the style secret from the outside world. Toshitsugu Takamatsu is the recorded 33rd Sōke of this school. According to Bujinkan sources he became well known throughout China and Japan for his martial arts prowess and his knowledge from studying ninjutsu that he then imparted on various Chinese nobles. Takamatsu passed the title of Sōke to Masaaki Hatsumi, the recorded 34th Sōke; it was Hatsumi who largely brought the style to public attention, and subsequently resulted in wide-scale media and public attention given to ninja and ninjutsu in the Western world. Hatsumi recently passed on the school to Takumi Tsutsui. (Full article...)
    Togakure-ryū (戸隠流) is a historical tradition of ninjutsu known as the "School of the Hidden Door", allegedly founded during the Oho period (1161–1162) by Daisuke Nishina (仁科大助) (a.k.a. Daisuke Togakure (戸隠大助)), who learned his original fighting techniques from a Chinese monk named Kain Dōshi. However, the history and early lineage of Togakure-ryū may be impossible to verify due to the antiquity of the time period and its claimed historicity has been disputed by Watatani Kiyoshi, writer for the Bugei Ryūha Daijiten. After Togakure, the title of Sōke (head of school) was recorded by Toda Shinryuken Masamitsu to have been passed down through other practitioners that kept the style secret from the outside world.

    Toshitsugu Takamatsu is the recorded 33rd Sōke of this school. According to Bujinkan sources he became well known throughout China and Japan for his martial arts prowess and his knowledge from studying ninjutsu that he then imparted on various Chinese nobles. Takamatsu passed the title of Sōke to Masaaki Hatsumi, the recorded 34th Sōke; it was Hatsumi who largely brought the style to public attention, and subsequently resulted in wide-scale media and public attention given to ninja and ninjutsu in the Western world. Hatsumi recently passed on the school to Takumi Tsutsui. (Full article...)
  • Image 7 Lethwei (Burmese: လက်ဝှေ့; IPA: ) or Burmese boxing is a full contact combat sport originating from Myanmar and is regarded as one of the most brutal martial arts in the world. Lethwei fighters are allowed to use stand-up striking techniques such as kicks, knees, elbows and punches, and the use of headbutts is also permitted. Fighters compete bareknuckle, wrapping their hands with only tape and gauze. Disallowed in most combat sports, headbutts are important weapons in a Lethwei fighter's arsenal, giving Lethwei its name of the "Art of nine limbs". This, combined with its bareknuckle nature, gave Lethwei a reputation for being one of the bloodiest and most violent martial arts. Lethwei is the last remaining sport in the world that allows headbutts. Although popular throughout Myanmar, Lethwei has been primarily and historically associated with the Karen people of the Kayin State; the vast majority of competitive Lethwei fighters are ethnolinguistically of Karen descent. (Full article...)

    Lethwei (Burmese: လက်ဝှေ့; IPA: [lɛʔ.ʍḛ]) or Burmese boxing is a full contact combat sport originating from Myanmar and is regarded as one of the most brutal martial arts in the world. Lethwei fighters are allowed to use stand-up striking techniques such as kicks, knees, elbows and punches, and the use of headbutts is also permitted. Fighters compete bareknuckle, wrapping their hands with only tape and gauze. Disallowed in most combat sports, headbutts are important weapons in a Lethwei fighter's arsenal, giving Lethwei its name of the "Art of nine limbs". This, combined with its bareknuckle nature, gave Lethwei a reputation for being one of the bloodiest and most violent martial arts. Lethwei is the last remaining sport in the world that allows headbutts. Although popular throughout Myanmar, Lethwei has been primarily and historically associated with the Karen people of the Kayin State; the vast majority of competitive Lethwei fighters are ethnolinguistically of Karen descent. (Full article...)
  • Image 8 Shintō Musō-ryū, or Shindō Musō-ryū (神道夢想流), most commonly known by its practice of jōdō, is a traditional school (koryū) of the Japanese martial art of jōjutsu, or the art of wielding the short staff (jō). The technical purpose of the art is to learn how to defeat a swordsman in combat using the jō, with an emphasis on proper combative distance, timing and concentration. The system includes teachings of other weapon systems which are contained in Shintō Musō-ryū as auxiliary arts (Fuzoku ryuha). The school is sometimes abbreviated as SMR. The art was founded by the samurai Musō Gonnosuke Katsuyoshi (夢想 權之助 勝吉, fl. c.1605, dates of birth and death unknown) in the early Edo period (1603–1868) and, according to legend, first put to use in a duel with Miyamoto Musashi (宮本 武蔵, 1584–1645). The original art created by Musō Gonnosuke has evolved and been added upon ever since its inception and up to modern times. The art was successfully brought outside of its original domain in Fukuoka and outside Japan itself in the 19th and 20th century. The spreading of Shintō Musō-ryū beyond Japan was largely the effort of Takaji Shimizu, (1896–1978), considered the 25th headmaster, who, unlike many other traditional martial arts teachers, wanted Jodo to be known and taught internationally. With the assistance of his own students and the cooperation of the kendō community, Shimizu spread Shintō Musō-ryū worldwide. (Full article...)
    Shintō Musō-ryū, or Shindō Musō-ryū (神道夢想流), most commonly known by its practice of jōdō, is a traditional school (koryū) of the Japanese martial art of jōjutsu, or the art of wielding the short staff (jō). The technical purpose of the art is to learn how to defeat a swordsman in combat using the jō, with an emphasis on proper combative distance, timing and concentration. The system includes teachings of other weapon systems which are contained in Shintō Musō-ryū as auxiliary arts (Fuzoku ryuha). The school is sometimes abbreviated as SMR.

    The art was founded by the samurai Musō Gonnosuke Katsuyoshi (夢想 權之助 勝吉, fl. c.1605, dates of birth and death unknown) in the early Edo period (1603–1868) and, according to legend, first put to use in a duel with Miyamoto Musashi (宮本 武蔵, 1584–1645). The original art created by Musō Gonnosuke has evolved and been added upon ever since its inception and up to modern times. The art was successfully brought outside of its original domain in Fukuoka and outside Japan itself in the 19th and 20th century. The spreading of Shintō Musō-ryū beyond Japan was largely the effort of Takaji Shimizu, (1896–1978), considered the 25th headmaster, who, unlike many other traditional martial arts teachers, wanted Jodo to be known and taught internationally. With the assistance of his own students and the cooperation of the kendō community, Shimizu spread Shintō Musō-ryū worldwide. (Full article...)
  • Image 9 Kung fu in Iran Chinese martial arts, commonly referred to with umbrella terms kung fu (/ˈkʌŋ ˈfuː/; Chinese: 功夫; pinyin: gōngfu; Jyutping: gung1 fu1; Cantonese Yale: gūng fū), kuoshu (Chinese: 國術; pinyin: guóshù; Jyutping: gwok3 seot6) or wushu (Chinese: 武術; pinyin: wǔshù; Jyutping: mou5 seot6), are multiple fighting styles that have developed over the centuries in Greater China. These fighting styles are often classified according to common traits, identified as "families" of martial arts. Examples of such traits include Shaolinquan (少林拳) physical exercises involving All Other Animals (五形) mimicry or training methods inspired by Old Chinese philosophies, religions and legends. Styles that focus on qi manipulation are called internal (内家拳; nèijiāquán), while others that concentrate on improving muscle and cardiovascular fitness are called external (外家拳; wàijiāquán). Geographical associations, as in northern (北拳; běiquán) and southern (南拳; nánquán), is another popular classification method. (Full article...)
    Kung fu in Iran

    Chinese martial arts, commonly referred to with umbrella terms kung fu (/ˈkʌŋ ˈfuː/; Chinese: 功夫; pinyin: gōngfu; Jyutping: gung1 fu1; Cantonese Yale: gūng fū), kuoshu (Chinese: 國術; pinyin: guóshù; Jyutping: gwok3 seot6) or wushu (Chinese: 武術; pinyin: wǔshù; Jyutping: mou5 seot6), are multiple fighting styles that have developed over the centuries in Greater China. These fighting styles are often classified according to common traits, identified as "families" of martial arts. Examples of such traits include Shaolinquan (少林拳) physical exercises involving All Other Animals (五形) mimicry or training methods inspired by Old Chinese philosophies, religions and legends. Styles that focus on qi manipulation are called internal (内家拳; nèijiāquán), while others that concentrate on improving muscle and cardiovascular fitness are called external (外家拳; wàijiāquán). Geographical associations, as in northern (北拳; běiquán) and southern (南拳; nánquán), is another popular classification method. (Full article...)
  • Image 10 The traditional martial arts of the Mainland Southeast Asia are related to one another, and as a group to Indian martial arts. The most salient common feature is Mainland Southeast Asia kickboxing. The region of Mainland Southeast Asia is believed to be the land of Suvarnabhumi that ancient Indians mentioned in Buddhist text and Hindu text. In 790 A.D., a Khmer prince who grew up abroad by the name of Jayavarman II returned to unify the Khmer civilization. In 802 A.D., Jayavarman II established the Khmer Empire, the precursor to modern Cambodia, and declared himself the Chakravatin (universal ruler). Around 850 A.D., Pagan, the ancestor of modern-day Burma, was established by Tibeto-Burman speakers. For 200 years, Pagan remained a small principality until the reign of King Anawrahta. In 1238 A.D., Thailand's first state, Sukhothai, was started when the residents declared independence from the Khmer Empire. In 1353 A.D., Laos's first state, Lan Xang, was started by Fa Ngum with the assistance of the Khmer from Angkor. (Full article...)
    The traditional martial arts of the Mainland Southeast Asia are related to one another, and as a group to Indian martial arts. The most salient common feature is Mainland Southeast Asia kickboxing. The region of Mainland Southeast Asia is believed to be the land of Suvarnabhumi that ancient Indians mentioned in Buddhist text and Hindu text. In 790 A.D., a Khmer prince who grew up abroad by the name of Jayavarman II returned to unify the Khmer civilization. In 802 A.D., Jayavarman II established the Khmer Empire, the precursor to modern Cambodia, and declared himself the Chakravatin (universal ruler). Around 850 A.D., Pagan, the ancestor of modern-day Burma, was established by Tibeto-Burman speakers. For 200 years, Pagan remained a small principality until the reign of King Anawrahta. In 1238 A.D., Thailand's first state, Sukhothai, was started when the residents declared independence from the Khmer Empire. In 1353 A.D., Laos's first state, Lan Xang, was started by Fa Ngum with the assistance of the Khmer from Angkor. (Full article...)
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Selected biography

Jigoro Kano circa 1937
Kanō Jigorō (嘉納 治五郎, 10 December 1860 - 4 May 1938) was a Japanese judoka, educator, politician, and the founder of judo. Judo was one of the first Japanese martial arts to gain widespread international recognition, and the first to become an official Olympic sport. Pedagogical innovations attributed to Kanō include the use of black and white belts, and the introduction of dan ranking to show the relative ranking among members of a martial-art-style. Well-known mottoes attributed to Kanō include "maximum efficiency minimal effort" (精力善用, seiryoku zen'yō) and "mutual welfare and benefit" (自他共栄, jita kyōei).

In his professional life, Kanō was an educator. Important postings included serving as director of primary education for the Ministry of Education (文部省, Monbushō) from 1898 to 1901, and as president of Tokyo Higher Normal School from 1900 until 1920. He was the educational founder of Nada High School in Kobe, Japan. He played a key role in making judo and kendo part of the Japanese public school programs of the 1910s. (Full article...)


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Selected entertainment

The Hunted is a 1995 martial arts action-thriller film written and directed by J. F. Lawton in his mainstream directorial debut, and starring Christopher Lambert, John Lone, Joan Chen, Yoshio Harada and Yoko Shimada. Lambert plays Paul Racine, an American businessman who by accident earns the wrath of a modern-day ninja clan in Japan.

The film was shot in Nagoya, Japan, and Vancouver, British Columbia, Canada on a $25 million budget, and premiered in February 1995, taking in $6.6 million in U.S. box office. Most critic reviews found the plot clichéed and the acting unconvincing, while some praised Harada's performance. The critically well-received soundtrack featured music by the Japanese taiko troupe Kodō, which pervades the film.


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Since the 1970s, there has been a revival of traditional or reconstructed methods of swordsmanship (劍術 geom sul, or 劍法 geom beop) based on the Korean sword in the Republic of Korea (Korean Bon Kuk Geom Beop 본국검법 "National Sword Methods"), supplementing the practice of Kumdo (the Korean adoption of modern Japanese Kendo). There are historical sources on which such reconstructions are based, dating to the 17th and 18th centuries, notably the Muyejebo (“Martial Arts Illustrations”) of 1610, its 1759 revision Muyeshinbo, supplemented with 12 additional fighting methods by Prince Sado who originated the term Sip Pal Ki (“Eighteen Fighting Methods”), and the renewed revision of 1790, Muyedobotongji. (Full article...)


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