Portal:Poetry
In this article we are going to delve into the topic of Portal:Poetry, exploring all its facets and possible implications. Portal:Poetry is a topic of great relevance today, which has captured the attention of experts and the general public. Over the next few lines, we will analyze in detail the different perspectives that exist around Portal:Poetry, as well as the possible consequences that its study can have in various areas. Without a doubt, Portal:Poetry is a topic that deserves to be explored in depth, and that is precisely what we propose to do in this article.
Welcome to the Poetry Portal
Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, euphony and cacophony, onomatopoeia, rhythm (via metre), and sound symbolism, to produce musical or other artistic effects. Most written poems are formatted in verse: a series or stack of lines on a page, which follow a rhythmic or other deliberate structure. For this reason, verse has also become a synonym (a metonym) for poetry.
Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poem, the Epic of Gilgamesh, was written in the Sumerian language.
Early poems in the Eurasian continent evolved from folk songs such as the Chinese Shijing as well as from religious hymns (the Sanskrit Rigveda, the Zoroastrian Gathas, the Hurrian songs, and the Hebrew Psalms); or from a need to retell oral epics, as with the Egyptian Story of Sinuhe, Indian epic poetry, and the Homeric epics, the Iliad and the Odyssey. (Full article...)
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A villanelle, also known as villanesque, is a nineteen-line poetic form consisting of five tercets followed by a quatrain. There are two refrains and two repeating rhymes, with the first and third lines of the first tercet repeated alternately at the end of each subsequent stanza until the last stanza, which includes both repeated lines. The villanelle is an example of a fixed verse form. The word derives from Latin, then Italian, and is related to the initial subject of the form being the pastoral.
The form started as a simple ballad-like song with no fixed form; this fixed quality would only come much later, from the poem "Villanelle (J'ay perdu ma Tourterelle)" (1606) by Jean Passerat. From this point, its evolution into the "fixed form" used in the present day is debated. Despite its French origins, the majority of villanelles have been written in English, a trend which began in the late nineteenth century. The villanelle has been noted as a form that frequently treats the subject of obsessions, and one which appeals to outsiders; its defining feature of repetition prevents it from having a conventional tone. (Full article...)
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Poetry WikiProject
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Akhmatova's work ranges from short lyric poems to intricately structured cycles, such as Requiem (1935–40), her tragic masterpiece about the Stalinist terror. Her style, characterised by its economy and emotional restraint, was strikingly original and distinctive to her contemporaries. The strong and clear leading female voice struck a new chord in Russian poetry. Her writing can be said to fall into two periods – the early work (1912–25) and her later work (from around 1936 until her death), divided by a decade of reduced literary output. Her work was condemned and censored by Stalinist authorities and she is notable for choosing not to emigrate, and remaining in Russia, acting as witness to the atrocities around her. Her perennial themes include meditations on time and memory, and the difficulties of living and writing in the shadow of Stalinism. (Full article...)
Did you know (auto-generated) -
- ... that Leon Schidlowsky wrote the Misa sine nomine in memory of Víctor Jara for speaker, choirs, organ and percussion, juxtaposing mass texts with contemporary poetry and Torah verses?
- ... that the 19th-century poet Cyprian Norwid, now recognized as one of the most important Polish poets, led a poverty-stricken life and his works were rarely appreciated until decades after his death?
- ... that Li Zhaoxing, a former Chinese minister of foreign affairs, has published more than 200 poems and was known as a "poet minister"?
- ... that Polish Renaissance poet Jan Kochanowski – considered "the founding father of Polish literature" – wrote threnodies, the first Polish-language tragedy, and epigrams?
- ... that Eyvindur P. Eiríksson has addressed modern alienation and man's relationship with nature through pagan poetry and a book about a fishing trawler?
- ... that Mexican poet Francisco de Terrazas was praised by Don Quixote author Miguel de Cervantes?
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| The Erl-King (Der Erlkönig) by Johann Wolfgang von Goethe |
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Who rides there so late through the night dark and drear?
The father it is, with his infant so dear;
"My father, my father, and dost thou not hear
|
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