In this article we are going to delve into the fascinating world of Primetime Emmy Award for Outstanding Narrator, exploring its origins, its impact on society and its relevance today. Since ancient times, Primetime Emmy Award for Outstanding Narrator has played a crucial role in the lives of human beings, influencing everything from cultural to technological aspects. Throughout the next lines, we will analyze in depth all aspects related to Primetime Emmy Award for Outstanding Narrator, unraveling its mysteries, demystifying misconceptions and highlighting its importance in the contemporary world. From its first mentions in history to its presence in today's globalized society, Primetime Emmy Award for Outstanding Narrator has left an indelible mark on the lives of people of all ages and cultures, becoming a topic of universal interest.
The Primetime Emmy Award for Outstanding Narrator is awarded to one individual each year.
In 2014, the Primetime Emmy Award for Outstanding Voice-Over Performance was separated into two categories – Outstanding Narrator and Outstanding Character Voice-Over Performance.[1] Rules hold that the "submission must be performed/read as a traditional narration and may not be audio lifted from an on-camera performance or interview. If the narration is performed in the first person as a character rather than the narrator, even if credited as narrator, it should be submitted in the character voice-over category."[2]
In the following list, the first titles listed in gold are the winners; those not in gold are nominees, which are listed in alphabetical order. The years given are those in which the ceremonies took place:
^This program was nominated as Outstanding Individual Achievement - Informational Programming. As a juried award, nominees had to garner 50% approval to win the award.
^In 2020, the TV Academy rescinded a win in this category for the Disney Channel special George Stevens: D-Day to Berlin, narrated by George Stevens Jr. The program was a re-edit of the 1985 BBC documentary D-Day to Berlin, in violation of a rule that "a program that is a foreign acquisition without benefit of a domestic co-production cannot be re-introduced into eligibility in a current awards year, even though it may have been modified with new footage, sound track, musical score, etc."