This article will address the topic of Prinz Methusalem, a matter that has aroused the interest and curiosity of many people throughout history. Prinz Methusalem has been the subject of debate, research and reflection in different areas, from science to popular culture. In this sense, it is pertinent to delve into the meaning and importance of Prinz Methusalem, as well as its impact on contemporary society. Through a detailed and contextualized analysis, we will seek to provide the reader with a broad and complete vision of Prinz Methusalem, with the purpose of enriching their knowledge and understanding of this particular topic.
Prinz Methusalem (Prince Methusalem) is an operetta written by Johann Strauss II to a libretto by Karl Treumann, after Victor Wilder and Alfred Delacour. It was first performed on January 3, 1877 in Vienna at the Carltheater. It achieved a run of eighty performances.[1] The pot-pourri overture incorporates themes from the operetta, as well as other material that might have sometime been part of the planned score.
Role | Voice type | Premiere cast, 3 January 1877 (Conductor: Johann Strauss II) |
---|---|---|
Herzog von Rikarak | bass | Josef Matras |
Prinz Methusalem | mezzo-soprano / tenor-baritone | Antonie Link |
Pulcinella | soprano | Caroline Finaly |
Sigismund | baritone | Wilhelm Knaack |
Sophistica | mezzo-soprano | Therese Braunecker-Schäfer |