In today's article, we want to address the topic of Quincy Plays for Pussycats, a topic that has been the subject of debate and discussion in recent times. Quincy Plays for Pussycats is a topic of great relevance in today's society, since it affects numerous people in different aspects of their lives. Throughout this article, we will delve into the different aspects related to Quincy Plays for Pussycats, offering a detailed and analytical vision that allows the reader to better understand the importance and impact of this topic today. By exploring different perspectives and arguments, we aim to provide a broad and complete view of Quincy Plays for Pussycats, thus contributing to the enrichment of knowledge on this very relevant topic.
Allmusic's Stephen Cook noted, "Quincy Plays for Pussycats is a bright, cheeky big-band album done in a more commercial pop style than previous Quincy Jones albums. Nonetheless, there's plenty to enjoy here ... this is swinging '60s jazz for the martini set".[2]
Recorded at Fine Recorders on March 9 and 10, 1959 (tracks 3, 4 & 9) and February 21, 1961 (track 10) and other New York City studios on June 15, 1962 (track 11), November 27, 1964 (track 5), March 3 or 10, 1965 (tracks 2 & 8) and August 5, 1965 (tracks 1, 6, 7 & 12)