In today's world, Sabotage at Sea has become a topic of great relevance and interest to many people. From its origins to its impact on today's society, Sabotage at Sea has sparked curiosity and debate in different areas. Throughout history, Sabotage at Sea has played a fundamental role in various cultures and has evolved over time, adapting to the needs and demands of each era. In this article, we will explore the origins, influence and impact of Sabotage at Sea, as well as its relevance today and its projection in the future.
Sabotage at Sea | |
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Directed by | Leslie S. Hiscott |
Written by | Michael Barringer |
Produced by | Elizabeth Hiscott |
Starring | |
Cinematography | Günther Krampf |
Edited by | Peter Tanner |
Music by | W.L. Trytel |
Production companies |
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Distributed by | Anglo-American Film Corporation (UK) |
Release date |
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Running time | 61 minutes |
Country | United Kingdom |
Language | English |
Sabotage at Sea is a 1942 British, black-and-white, drama, mystery, war film, directed by Leslie S. Hiscott and starring Jane Carr, Margaretta Scott, David Hutcheson and Ronald Shiner as Ernie the Cook.[1] It was produced by British National Films and Shaftesbury Films.
It has the overall format of a whodunnit but with a clear theme of protecting military secrets during the Second World War.
A series of vignettes introduce us to a selection of people who late turn out to be the individual suspects.
Cargo ship Captain Tracey (David Hutcheson) has discovered that enemy agents have tampered with his ship. The film follows the search for the saboteur. The unlikely scenario means that six would-be subjects are jointly kidnapped/shanghaied and kept on board while he investigates which one is the saboteur.
The suspects include both males and females including members of the shipping company (Digby & Farar) and their relatives.
The investigation tales place en route to New York.
TV Guide wrote, "the cast is handicapped by an uneventful, wordy script."[2]