In today's world, Secos & Molhados is a topic of great relevance and interest to a wide audience. Over time, Secos & Molhados has captured the attention of people of all ages and professions, becoming a recurring topic of conversation in society. Whether due to its impact on everyday life, its historical relevance or its influence in the professional field, Secos & Molhados has managed to transcend barriers and capture the interest of a wide audience. In this article, we will further explore the impact and importance of Secos & Molhados, analyzing its different facets and its relevance in the current context.
Secos & Molhados | |
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Origin | São Paulo, Brazil |
Genres | |
Years active | 1971–1974; 1977–88; 1999; 2011–present |
Labels | Continental (1973–74) Philips (1978–80) Polygram (1988) Eldorado (2000) |
Past members | Ney Matogrosso, Gérson Conrad |
Website | secosemolhados.com |
Secos & Molhados (English: Dry & Wet) is an innovative Brazilian band formed in 1971 and best known for their first two studio albums that helped launch singer Ney Matogrosso's career. The other two members were João Ricardo, founder and main songwriter of the group, and Gerson Conrad.
The first line-up, consisting of João Ricardo, Gérson Conrad, and Ney Matogrosso, plus various musicians such as John Flavin (guitar), Willy Verdaguer (electric guitar), Marcelo Frias (drums), Sergio Rosadas (flute), plus special participation of Zé Rodrix was short-lived - only two albums were released, one in 1973 and one in 1974, both self-titled. This line-up achieved success, appearing in several TV broadcasts, and remains highly influential today. Matogrosso's unusual high-pitched voice helped create a distinct identity as well as the band's eccentric heavy make-up and outfits (developed by Matogrosso himself, with influences ranging from Brazilian indigenous peoples to kabuki theater). In typical Tropicália fashion, Secos & Molhados's style was one marked by a broad fusion of genres, including glam rock, MPB, fado, and experimental music, among others. Most lyrics for both studio albums were adapted from the work of poets such as Manuel Bandeira and Vinicius de Moraes.
From 1974 onwards, the group remained active, with only João Ricardo as the only steady member. They have released several albums through the years. Their most recent release is an autobiographic album called "Chato-boy", featuring founding member João Ricardo with the addition of a new member - guitarist Daniel Iasbeck.