In today's article we are going to delve into the topic of Signal (magazine), a topic that will undoubtedly generate great interest for a wide spectrum of readers. Signal (magazine) is a topic that has captured the attention of people of all ages and walks of life, and its importance transcends borders and cultures. Throughout this article we will explore the different aspects of Signal (magazine), addressing its historical relevance, its impact on current society and possible implications for the future. From its influence on the economy to its role in popular culture, Signal (magazine) is a topic that deserves close examination to understand its true scope and meaning.
![]() Logo of the magazine | |
Type | Propaganda publication |
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Format | Biweekly magazine |
Owner(s) | Wehrmacht |
Publisher | Deutscher Verlag on behalf of Wehrmacht Propaganda Troops |
Founded | April 1940 |
Language | 26 European languages |
Ceased publication | April 1945 |
Headquarters | Berlin, Germany |
Circulation | 2,500,000 (1943) |
Signal was a magazine published by the Wehrmacht of Nazi Germany from 1940 through 1945.
Signal was an illustrated photo journal and army propaganda tool,[1] meant specifically for audiences in neutral, allied, and occupied countries. A German edition was distributed in Switzerland, Axis countries, and German-occupied Europe, but Signal was never distributed in Germany proper.
The journal was published by Ullstein Verlag and characterized by an outstanding print quality for the time. Each issue contained several (mostly eight) color pages, which was very unusual at the time.
The promoter of the magazine was the chief of the Wehrmacht Propaganda Troops, Colonel Hasso von Wedel. Signal was published fortnightly (plus some special issues) in as many as 25 editions and 30 languages, and at its height had a circulation of 2,500,000 copies. It was available in the United States in English until December 1941. The last number was 6/45, only known in one sample from the Swedish edition.