In today's article we are going to talk about The Fourth Dimension in Sound, a topic that has captured the attention of many people in recent times. The Fourth Dimension in Sound is a fascinating topic that has generated much interest and debate in today's society. Throughout this article we will explore various perspectives on The Fourth Dimension in Sound, analyzing its impact in different areas and how it has evolved over time. In addition, we will examine the different opinions and positions that exist around The Fourth Dimension in Sound, offering an exhaustive analysis that allows our readers to better understand this relevant topic. Do not miss it!
The Fourth Dimension in Sound (subtitled A Musical Experiment in the Adaptation of Instruments to Modern Electronics) is an album by bandleader and arranger Shorty Rogers recorded in late 1961 and released on the Warner Bros. label.[1][2] The album was produced principally as a stereo test and demonstration record to be used by hi-fi enthusiasts to test the performance of their audio systems.
The Allmusic review by Scott Yanow states: "As was true of many records from the early 1960s, the emphasis on this out-of-print Lp (especially in the lengthy liner notes) is on the stereophonic sound rather than the music. ... The music is better than the liner notes (which spend most of their time describing the sound) lets on but is not all that significant, emphasizing swing standards along with an occasional Latin novelty."[3]