In this article, the topic of The Girl from Maxim's will be addressed, which has sparked great interest and debate in different areas. The Girl from Maxim's is a topic that has captured the attention of academics, specialists, and the general public due to its relevance in today's society. From its origins to the present, The Girl from Maxim's has been the object of study, analysis and reflection, which has led to the generation of different theories, approaches and opinions on the matter. Throughout this article, the most relevant aspects of The Girl from Maxim's will be explored, as well as its impact on various aspects of daily life. Likewise, the different perspectives that exist around The Girl from Maxim's will be examined, with the aim of offering a broad and comprehensive vision of the topic.
The Girl from Maxim's | |
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Directed by | Alexander Korda |
Written by | Harry Graham Arthur Wimperis |
Based on | the play La Dame de chez Maxim by Georges Feydeau |
Produced by | Alexander Korda Ludovico Toeplitz |
Starring | Leslie Henson Frances Day Stanley Holloway |
Cinematography | Georges Périnal |
Edited by | Harold Young (uncredited) |
Music by | Kurt Schröder Niklos Schwalb |
Production company | |
Distributed by | United Artists Corporation (UK) |
Release date |
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Running time | 79 minutes |
Country | United Kingdom |
Language | English |
The Girl from Maxim's is a 1933 British musical comedy film directed by Alexander Korda and starring Frances Day, Leslie Henson, Lady Tree and Stanley Holloway.[1] It was an adaptation of the 1899 play La Dame de chez Maxim by Georges Feydeau.[2] A French-language version was filmed at the same time under the title La dame de chez Maxim's.
A doctor tries to pass off a singer as his wife in Paris in 1904.
TV Guide called it a "Dull British comedy."[3]