The Manna (Poussin)

Nowadays, the importance of The Manna (Poussin) is undeniable in our daily lives. Whether due to its historical relevance, its impact on society or its influence on different aspects of our lives, The Manna (Poussin) has captured the attention and interest of many people around the world. In this article, we will fully explore everything that The Manna (Poussin) represents, its evolution over time, and its relevance today. Through a detailed analysis, we will examine the different aspects that make The Manna (Poussin) a topic of great importance and interest to a wide audience. Join us on this journey through the history, meaning and relevance of The Manna (Poussin), and let's discover together why it is a topic that deserves our attention.

The Manna, by Poussin, 149 x 200 cm

The Manna (French: La Manne), formerly titled The Israelites Gathering Manna in the Desert (Les Israélites recueillant la manne dans le désert), is an oil painting by Poussin, dated to 1638 or 1639, which is now in the Louvre, in Paris.[1] The work is regarded as one of Poussin's most ambitious.[2]

Description

Scene: a rocky desert, with high cliffs and trees on each side, and the tents of Israel in a valley in background; in middle ground, Moses and Aaron, with people prostrating themselves before them; in foreground, men, women, and children gathering manna.[3]

Provenance

Engraving by Guillaume Chasteau, 44.5 x 62.5 cm

Painted in Rome in 1638 or 1639 for Paul Fréart de Chantelou; whence passed to Nicolas Fouquet, Superintendent of Finances to Louis XIV.[1] Engraved by G. Chasteau (1680); B. Audran; Bern; H. Testelin.[3]

See also

References

  1. ^ a b "La Manne (INV 7275; MR 2314)". Louvre.
  2. ^ "Nicolas Poussin - French Painter, Classicism, Baroque | Britannica". www.britannica.com. Retrieved 2023-12-21.
  3. ^ a b Champlin & Perkins, eds. 1887, iii, p. 188.

Bibliography