The Stone Guest (play)

In the modern world, The Stone Guest (play) has become increasingly important. Whether in the academic, work, social or cultural field, The Stone Guest (play) has become a central topic of debate and reflection. Its relevance has transcended geographical and cultural barriers, significantly impacting people's lives. In this article, we will explore different aspects of The Stone Guest (play), from its origins to its influence today. Through detailed analysis, we will try to shed light on the complexities and contradictions surrounding The Stone Guest (play), with the aim of further understanding its role in the contemporary world.

The Stone Guest. Don Juan and Doña Ana, by Ilya Repin, 1885

The Stone Guest (Russian: «Каменный гость», romanized: Kamennyy gost') is a poetic drama by Alexander Pushkin based on the Spanish legend of Don Juan.

History

Pushkin wrote The Stone Guest in 1830 as part of a collection of four short plays known as Little Tragedies. The play is based on the familiar Don Juan legend (translated with the archaic Russian spelling of Don Guan (Дон Гуан)), but while most traditional adaptations present it as farcical and comedic, Pushkin's "little tragedy" is indeed a romantic tragedy. Save for the duel, there is little action, and though written in the form of a play, scholars agree that it was never meant for the stage.[citation needed]

Pushkin wrote the play after seeing the premiere of a Russian-language version of Mozart's 1787 opera Don Giovanni. He borrowed certain elements from da Ponte's libretto, but made the story his own, focusing more on the tragic romantic elements than on the farcical ones.

Synopsis

Don Juan, illegally returned from exile for having murdered Commander de Salva, seduces the latter's widow, Doña Ana, when she visits the grave of her late husband. Doña Ana agrees to let him visit her home. Don Juan arrogantly invites the grave statue of the Commander to stand watch. When Juan and Ana are together, they hear the stone steps of the Commander. The statue offers a hand to Don Juan, he boldly takes it, and they both descend below the stage.

Influence

Alexander Dargomyzhsky adapted the play into an opera, The Stone Guest, in 1872. In 2012 the English composer Philip Godfrey adapted the play into an operetta, also called The Stone Guest.

The phrases "Commander's steps" or "steps of the Commander" have become winged words in Russian culture in reference to an approach of a sinister fate. Alexander Blok wrote a poem in 1912 titled Commander's Steps (Шаги Командора). Venedikt Erofeev subtitled his final completed work Walpurgis Night "the Steps of the Commander."

References

Russian Wikisource has original text related to this article:
  • Alexander Pushkin: A Critical Study by A.D.P. Briggs, Rowman & Littlefield Publishers, 1982.