Thoth Tarot

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Part of a series on
Thelema
Unicursal hexagram
The Rights of Man
Holy Books and Stele The Book of the Law The Holy Books of Thelema The Stele of Revealing
Key figures Ankh-af-na-Khonsu François Rabelais Aleister Crowley Victor Neuburg Charles Stansfeld Jones Jack Parsons Wilfred Talbot Smith Jane Wolfe Karl Germer J. F. C. Fuller Grady McMurtry Marcelo Ramos Motta Marjorie Cameron Sara Northrup Helen Parsons Smith Phyllis Seckler Christopher Hyatt Kenneth Grant James Lees Nema Andahadna James Wasserman Kenneth Anger The Scarlet Women Rose Edith Crowley Mary d'Este Sturges Jeanne Robert Foster Roddie Minor Marie Rohling Leah Hirsig Leila Waddell
Core concepts One Star in Sight Great Work True Will The Abyss Magick Qabalah Holy Guardian Angel Thoth Tarot Yoga Gnostic Mass The Aeon
Methods Abrahadabra Night of Pan Liber Resh Crossing the Abyss Banishing Invocation Bornless Ritual Qaballa Sex magic Body of light Tree of life
Thelemic texts Aleister Crowley bibliography Kenneth Grant bibliography Marcelo Motta bibliography
Organizations A∴A∴ O∴A∴A∴ Ecclesia Gnostica Catholica (EGC) Ordo Templi Orientis (OTO) Society Ordo Templi Orientis (SOTO) Thelemic Order of the Golden Dawn Typhonian Order (TOTO)
Deities Nuit Hadit Heru-ra-ha Aiwass Therion Babalon Baphomet Chaos Ma'at
Places Boleskine House Abbey of Thelema Agape Lodge
Related topics Abramelin oil Cake of Light Choronzon Eroto-comatose lucidity Goetia Liber Pennae Praenumbra Magical formulae Number of the beast Obeah and wanga Qlippoth Table of magical correspondences The Beast and Whore of Babylon Worship of heavenly bodies
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Thoth Tarot is an esoteric tarot deck painted by Lady Frieda Harris according to instructions from Aleister Crowley. Crowley referred to this deck as The Book of Thoth, and also wrote a 1944 book of that title intended for use with the deck.

Crowley originally intended the Thoth deck to be a six-month project aimed at updating the traditional pictorial symbolism of the tarot. However, due to increased scope, the project eventually spanned five years, between 1938 and 1943.^{[citation needed]}

The illustrations of the deck feature symbolism based upon Crowley's incorporation of imagery from many disparate disciplines, including science and philosophy and various occult systems (as described in detail in his The Book of Thoth).^[1]

As reported in the table below there are six known major versions of the Thoth Tarot with significant differences.

Crowley renamed several of the trumps compared to earlier arrangements, and also re-arranged the numerical, astrological and Hebrew alphabet correspondences of 4 trumps compared to the Hermetic Order of the Golden Dawn's inner order deck in accordance with the Tarot of Marseilles, his 1904 book The Book of the Law (Liber AL vel Legis) and its "New Commentary."^[7] In the "New Commentary" and The Book of Thoth, Crowley demonstrates that his trump arrangement forms a double loop in the zodiac-number and letter-number correspondences compared to the Golden Dawn deck, where there is no loop.^[1]

All these old letters of my Book are aright; but צ is not the Star.^[8]

Tzaddi is the letter of The Emperor, the Trump IV, and He is the Star, the Trump XVII. Aquarius and Aries are therefore counterchanged, revolving on the pivot of Pisces, just as, in the Trumps VIII and XI, Leo and Libra do about Virgo. This last revelation makes our Tarot attributions sublimely, perfectly, flawlessly symmetrical.^[7]

For The Star is referred to Aquarius in the Zodiac, and The Emperor to Aries. Now Aries and Aquarius are on each side of Pisces, just as Leo and Libra are on each side of Virgo; that is to say, the correction in the Book of the Law gives a perfect symmetry in the zodiacal attribution, just as if a loop were formed at one end of the ellipse to correspond exactly with the existing loop at the other end.^[9]

Crowley accepted the Golden Dawn's changed names of all the court cards which can cause some confusion for people used to the more common decks. Specially since he changed the structure of the court cards, while each of the places retains much of the original meanings, there are subtle differences. The typical corresponding names are as follows:^[10]

Harris' renditions of the tarot are on watercolor paper affixed to a thick backing; the acidity of the backing, according to a report from 2006, resulted in discoloration of borders, and to some extent, the paintings themselves. The paintings also required cleaning and the repair of small tears. A conservation plan called for cleaning the surfaces, the removal of backing (while retaining original inscriptions), reuse of the hand-painted window mats, and replacement of overlays with acid-free, museum-quality paper. The project was completed in 2011.^[11] The paintings are stored by the Warburg Institute; work was completed by the Institute's in-house specialist, Susan Campion.

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