Théâtre des Capucines

The topic of Théâtre des Capucines is a widely discussed and analyzed topic today. For years, it has occupied a prominent place in academic, political and social debates. Its relevance is due to its impact on people's daily lives, as well as on the development of different fields of study. In this article, we will explore different aspects related to Théâtre des Capucines, from its origins to its implications in contemporary society. In addition, its influence in various areas, such as economics, technology, culture and politics, will be examined. Through this exhaustive analysis, we aim to offer a comprehensive vision of Théâtre des Capucines and its importance in today's world.

Théâtre des Capucines
Théâtre Isola (1892-1897)
Théâtre-Musée des Capucines (1993-present)
Map
Address39 Boulevard des Capucines
Paris
Construction
Opened1889
ArchitectÉdouard Niermans

The Théâtre des Capucines was a theatre on the boulevard des Capucines in the 2nd arrondissement of Paris. Built in 1889 by architect Édouard-Jean Niermans,[1] it was taken over by two brothers, Émile Isola and Vincent Isola, in 1892 to become the Théâtre Isola. They managed the theatre until 1897.

Berthez Armand was an early director and the actress-dancer Gaby Deslys (1881-1920) appeared there. The actress, singer and film star Arletty made her debut there in October 1919 and performed there regularly for ten years, especially in operettas. It was also the venue of the 1943 musical comedy Une femme par jour, (with music by Georges Van Parys and text by Pierre Véber and Jean Boyer). Serge Gainsbourg inaugurated a series of popular concerts at the theatre in 1963, including an appearance by the singer Barbara.[2]

The theatre finally closed in 1970 and was taken over by the perfume company Fragonard. Fragonard preserved the building as a perfume museum, the Théâtre-Musée des Capucines, which they established in 1993.[3]

Premières

  • 1899: L'ami de la maison by Pierre Veber, comedy in one act, 17 January 1899
  • 1900: Blancheton père et fils by Pierre Veber, one-act fantasia, 26 October 1900
  • 1904: Rose Mousse, by Lecocq, comédie musicale in one act, 28 January 1904
  • 1905: La salutiste, by Lecocq, opéra monologue in one act, 14 January 1905
  • 1928: Yes, by Maurice Yvain and Albert Willemetz, operetta in three acts, 26 January 26 1928[4]
  • 1943: Une femme par jour, comedy by Georges Van Parys
  • 1954: Les chansons de Bilitis, operetta by Joseph Kosma

See also

References

  1. ^ Maurice Culot (1991). "Édouard-Jean Niermans". Archives d'architecture du XXe siècle, Volume 1. Institut français d'architecture. p. 331. ISBN 9782870094464.
  2. ^ Artists at the Théâtre des Capucines in 1963
  3. ^ Mel Atkey (2019). A Million Miles from Broadway: Musical Theatre Beyond New York and London. The Friendlysong Company. p. 79. ISBN 9780991695744.
  4. ^ Kurt Gänzl, Jamie Findlay. The Musical, Second Edition: A Concise History. State University of New York Press. ISBN 9781438487526.

48°52′12″N 2°19′45″E / 48.8699°N 2.3292°E / 48.8699; 2.3292