In this article, we are going to explore in depth Vivi Gioi and its relevance in today's society. Vivi Gioi has been a topic of interest for a long time, and its impact spans multiple aspects of modern life. Over the years, extensive research has been conducted on Vivi Gioi, resulting in a substantial body of knowledge on the topic. In this article, we will examine the different perspectives and approaches that have been taken towards Vivi Gioi, as well as its evolution over time. Additionally, we will discuss the practical and theoretical implications of Vivi Gioi in various areas, from politics to science to popular culture. By the end of this article, we hope to have provided a comprehensive overview of Vivi Gioi and generated a greater understanding of its importance in today's world.
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Vivi Gioi | |
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Born | Vivienne Trumpy 2 January 1917 Livorno, Kingdom of Italy |
Died | 12 July 1975 Fregene, Italy | (aged 58)
Occupation | Actress |
Vivi Gioi (born Vivienne Trumpy; 2 January 1917 – 12 July 1975) was an Italian actress. Her alternative professional last name Diesca was an anagram of De Sica, the famous actor and director with whom she was in love. She is remembered for Il signor Max, starring Vittorio De Sica, an actor with whom she worked again in Red Roses (1940). She won a Nastro d'Argento for Best Supporting Actress for her performance in Giuseppe De Santis' film Tragic Hunt. Her parents were Norwegians.[1]
Year | Title | Role | Notes |
---|---|---|---|
1936 | But It's Nothing Serious | Matilde | |
1937 | Il signor Max | Dolly | Uncredited |
1939 | Bionda sotto chiave | Vivetta | |
1939 | Frenzy | Daniela | |
1939 | Mille chilometri al minuto! | Figlia del scienziato | |
1940 | Vento di milioni | Lucy Davies | |
1940 | Red Roses | Clara | |
1940 | Alessandro sei grande! | Lucy, attrice di varietà | |
1940 | Cento lettere d'amore | La moglie del segretario | |
1940 | Then We'll Get a Divorce | Grace Peterson | |
1940 | La canzone rubata | Anna Berti | |
1941 | Il pozzo dei miracoli | Clara Tolnay | |
1941 | The Actor Who Disappeared | L'attrice | |
1941 | The Secret Lover | Diana Ponzio | |
1941 | First Love | Jane Blue | |
1942 | Giungla | La dottoressa Virginia Larsen | |
1942 | Bengasi | Giuliana | |
1942 | Seven Years of Good Luck | Ella Jüttner | |
1942 | Piazza San Sepolcro | La spia inglese | |
1943 | Lascia cantare il cuore | Lisa "Lissy" Rossi | |
1943 | Short Circuit | Cristina Redy | |
1943 | Harlem | Muriel | |
1943 | Seven Years of Happiness | Frau Lissy Müller | |
1944 | Night Shift | Hélène Jansen | |
1945 | The Whole City Sings | Pepita | |
1945 | La casa senza tempo | Anna Mendes / Marta | |
1947 | Tragic Hunt | Daniela 'Lili Marlene' | |
1949 | The Earth Cries Out | Judith | |
1950 | Mistress of the Mountains | Teresa, la maestrina | |
1950 | Women Without Names | Hilda von Schwartzendorf the Nazi | |
1950 | The Bread Peddler | Jeanne Fortier aka Lise Perrin | |
1951 | Without a Flag | Helga Grueber | |
1956 | Rice Girl | Maria Nardi | |
1963 | The Verona Trial | Donna Rachele | |
1967 | Kill the Wicked! | Molly Verner | |
1974 | The Silkworm | Costa's ex lover | (final film role) |