Nowadays, Wadih El Safi has become a topic of general interest that has captured the attention of a wide public. The relevance of Wadih El Safi has generated a debate that ranges from political and social spheres to everyday conversations. For decades, Wadih El Safi has been the subject of study and research in different fields of knowledge, which has given rise to vast accumulated knowledge about its importance and impact on modern society. In this article, we will explore the various facets of Wadih El Safi and its influence on our daily lives, analyzing its evolution over time and its future implications.
Wadih El Safi وديع الصافي | |
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Background information | |
Birth name | Wadih Bishara Yousef Francis وديع بشارة يوسف فرنسيس |
Also known as | The Immortal Voice of Lebanon, The Lebanese Giant |
Born | Niha, Greater Lebanon | November 1, 1921
Died | October 11, 2013 Mansourieh, Lebanon | (aged 91)
Genres | Tarab, Folk |
Occupation(s) | Singer, songwriter, composer, instrumentalist |
Instrument | Oud |
Years active | 1938–2013 |
Wadih El Safi (Arabic: وديع الصافي, romanized: Wadīʿ aṣ-Ṣāfī, born Wadih Francis; November 1, 1921 – October 11, 2013) was a Lebanese singer and composer.[1][2] Born in Niha, Lebanon, Wadih El Safi started his artistic journey at the age of sixteen when he took part in a singing contest held by Lebanese Radio and was chosen the winner of all categories among 40 other competitors.[3]
Wadih El Safi being a classically trained tenor is not a verified fact since none of his known works provide proof of classical singing techniques. He has been known for singing in the belting school class, and his phonation is a testimonial of this practice. This is further confirmed in what arguably is his most famous song "Lebnan Ya Ote'et Sama" ("لبنان يا قطعة سما" in Arabic, specifically Lebanese dialect) in which his voice shifts to the so-called Falsetto or more widely recognized today as the "Voce Piena Testa" or the full head register on the second transition "Secondo passagio" around "EB4" note above middle "C4" not overlapping "F4", meaning that his voice falls in the Baritone categorization rather than a tenor precisely a lyric baritone which is often linked to these transition areas. El Safi has no record for singing the "B4" and "C5" tenors' famous "High C" which are the characteristic signature of a tenor's laryngeal mechanism (constriction of the pharynx) even though many of his age did. He was a classically trained tenor. He gained national recognition when, at seventeen, he won a vocal competition sponsored by Radio Lebanon.[4] El Safi began composing and performing songs that drew upon his rural upbringing and love of traditional melodies, blended with an urban sound, and creating a new style of modernized Lebanese folk music.
In 1947, El Safi traveled to Brazil where he remained until 1950. El Safi toured the world, singing in many languages, including Arabic, Syriac, French, Portuguese and Italian,[5] accompanied by his son George.
Wadih El Safi has sung over 5000 songs.[6] He is well-known for his mawawil (an improvised singing style) of 'Ataba, Mijana, and Abu el Zuluf. He has performed and recorded with many well-known Lebanese musicians such as Fairouz, and Sabah.
In 1990, Wadih El Safi underwent open-heart surgery.[7] In 2012, he broke his leg and had to have surgery to mend the fracture. After the surgery, his health deteriorated rapidly. In 2013, he was admitted to hospital, suffering from pulmonary consolidation. On October 11, 2013, he fell ill at his son's home and was rushed to the Bellevue Medical Center where he died.[8] His funeral was held at Saint George Maronite Cathedral, Beirut on October 14, 2013.[9]
On November 1, 2016, Google celebrated his 95th birthday with a Google Doodle.[10]