Wiener Frauen
In today's article, we are going to explore the impact of Wiener Frauen on our modern society. Wiener Frauen has been a topic of interest and debate for a long time, and its influence can be seen in a variety of contexts, from the political and social spheres, to the cultural and technological. As we delve deeper into this topic, we will delve into its historical origins, its current implications, and its potential to shape the future. Through detailed analysis and critical evaluation, we seek to shed light on Wiener Frauen and its meaning for our contemporary reality.
Wiener Frauen or 'Viennese Ladies' op. 423 is a waltz composed by Johann Strauss II in 1886.
The waltz was originally titled 'Les dames de St. Peterburgh' when Strauss was invited by the 'Russian Red Cross Society' to conduct in St. Petersburg in that year.
Strauss first performed the piece at the riding school of the Horse Guards Regiment in that city to great acclaim and was thoughtful enough to re-christen the waltz 'Wiener Frauen' in a homage to his Viennese admirers when he had it performed in Vienna later that year.
The piece was among Strauss's last great waltzes and it brims with youthful vigour yet with hints of pensiveness and poignant moments as was common among his last works. The waltz was also first performed with its lesser-known 'sister work' Adele-Walzer op. 424 in the same hall and was dedicated to the composer's third wife Adele Strauss.
References
Based on original text by Peter Kemp, The Johann Strauss Society of Great Britain. Used with permission.
