Yehuda Magidovitch

In today's world, Yehuda Magidovitch has taken a fundamental role in people's lives. Its impact has been so significant that there is no area that has not been touched by Yehuda Magidovitch. Whether in the personal, work, social, scientific or technological sphere, Yehuda Magidovitch has become a key element that shapes our way of life. Over the years, Yehuda Magidovitch has aroused the interest and curiosity of individuals from all walks of life, generating endless research, debates and discussions around its meaning, importance and scope. In this article, we will deeply explore the world of Yehuda Magidovitch, analyzing its influence in different contexts and discovering its relevance in human development.

Yehuda Magidovitch
Born1886
Uman, Ukraine
Died1961
Tel Aviv, Israel
NationalityIsraeli
OccupationArchitect

Yehuda Magidovitch (1886–1961) was one of the most prolific Israeli architects. Among his prominent works are the Galei Aviv Casino, a café-restaurant (demolished in 1939), and the Cinema Esther (now Cinema Hotel), both in Tel Aviv.[1]

Biography

Early life

Yehuda Magidovitch was born in 1886 in Uman in Ukraine, back then part of the Russian Empire. He studied in Odessa. In 1919, he emigrated to Mandatory Palestine.

Career

Magidovitch became the first chief engineer of Tel Aviv[1] in 1920. In 1923 he established his own design and construction company. In 1934 his son Raphael also joined the office.[2]

Magidovitch first built in the i1920s in the eclectic style, but beginning in the early 1930s he started moving towards Art Deco. His first International style designs from 1934 retained a personal artistic expression.[2]

Death

Magidovitch suffered a brain hemorrhage in 1954, which brought his professional activity to an end. He died in 1961 in Tel Aviv, Israel.

See also

References

  1. ^ a b Aisenberg, Lydia: "Cinema Tel Aviv - A reel special hotel", in The Jerusalem Post, 9 August 2009
  2. ^ a b Metsger-Samoḳ, Nitsah: Des maisons sur le sable: Tel-Aviv, mouvement moderne et esprit Bauhaus, Éditions de l’éclat, 2004

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