Anton Delvig

In today's world, Anton Delvig is a topic that has become increasingly relevant. Whether due to its impact on society, its importance in the economy or its influence on culture, Anton Delvig has become a point of attention for both experts and the general public. With its wide range of implications and its ability to generate debate and reflection, Anton Delvig has established itself as a crucial topic on the current agenda. In this article, we will explore the different facets of Anton Delvig, analyzing its origin, its evolution over time and its possible future. Furthermore, we will examine the role that Anton Delvig plays in people's daily lives and its relevance in the global context.

Anton Antonovich Delvig
Born17 August [O.S. 6 August] 1798
Moscow, Russian Empire
Died26 January [O.S. 14 January] 1831
St. Petersburg, Russian Empire
Occupation(s)poet and journalist

Baron Anton Antonovich Delvig (Russian: Анто́н Анто́нович Де́львиг[note 1], romanizedAntón Antónovich Délʹvig, lit.'ɐnˈton ɐnˈtonəvʲɪtɕ ˈdelʲvʲɪk'; German: Anton Antonowitsch Freiherr[note 2] von Delwig; 17 August [O.S. 6 August] 1798 – 26 January [O.S. 14 January] 1831)[citation needed] was a Russian poet and journalist of Baltic German ethnicity.

Life

Anton Delvig was of Baltic-German descent from paternal side. He studied in the Tsarskoye Selo Lyceum together with Alexander Pushkin and Wilhelm Küchelbecker with whom he became close friends. Küchelbecker dedicated a poem ('O, Delvig') to him; this poem was later set to music by Dmitri Shostakovich in the ninth movement of his fourteenth symphony. Delvig is also mentioned in Pushkin's famous novel in verse Eugene Onegin, being compared to the young poet Lensky.[1] Delvig commissioned a portrait of Pushkin from Orest Kiprensky, which Pushkin bought from Delvig's widow after his friend's death.[2] In 1820, Delvig met Yevgeny Baratynsky and introduced him to the literary press.

In his poetry, Delvig upheld the waning traditions of Russian Neoclassicism. He became interested in Russian folklore and wrote numerous imitations of folk songs. Some of these were put to music by the composers Alexander Alyabyev and Mikhail Glinka.[3]

As a journalist, Delvig edited the periodical Northern Flowers (1825–1831), in which Pushkin was a regular contributor. In 1830–1831, he co-edited with Pushkin the Literaturnaya Gazeta, which was banned by the Tsarist government after information laid by Thaddeus Bulgarin.

Notes

  1. ^ In Delvig's day, his name was written Антонъ Антоновичъ Дельвигъ.
  2. ^ Regarding personal names: Freiherr is a former title (translated as 'Baron'). In Germany since 1919, it forms part of family names. The feminine forms are Freifrau and Freiin.

References

  1. ^ Pushkin, Alexander (1995). Eugene Onegin. Oxford: Oxford University Press. p. 141. ISBN 0809316307.
  2. ^ Антон Дельвиг Archived 2011-12-14 at the Wayback Machine // Автор: Н. В. Банников
  3. ^ "Дельвиг А. А." Archived from the original on 2016-03-03. Retrieved 2016-01-22.